Stories
Everything you need to know about the 64th edition: dates, times, tickets, the return of EuroCucina / FTK – Technology For the Kitchen. And then the International Bathroom Exhibition, and the absolute novelties such as Salone Raritas, Salone Contract and the installation “Aurea, an Architectural Fiction”
Design anniversaries: 9 furnishing icons that make history
Text by
1966 Collection (Leisure Collection), Knoll, designed by Richard Schultz, Ph: Federico Cedrone
From Philippe Starck’s bathroom collection to Eileen Gray’s bold armchair: some design icons are celebrating significant anniversaries. A story told in chapters, retracing both their history and their enduring relevance today
5 years
White Tulip bathroom series, designed by Philippe Starck, Duravit
This was the first complete bathroom collection designed by the French starchitect for the historic German manufacturer of bathroom fittings. Inspired by the soft forms of a tulip in bloom, the series consists of bathtubs, washbasins, toilets, bidets and cabinets. Starck wanted to create timeless pieces, as he explains: “ It could be an antique collection, which would have been modern in its time or a modern collection with memories of the past.” The furnishings are delicate, almost sculptural objects, sophisticated and ergonomic, featuring a shaped rim slightly angled outward: ranging from monolithic freestanding washbasins to round bowls, rectangular hand-wash basins, and standalone bathtubs in oval or round versions. The collection also comprises mirrors and the first series of taps designed by Starck for Duravit, also with an explicit reference to tulips in the handles, embellished with 160 fine lines engraved vertically.
White Tulip, Duravit, designed by Philippe Starck
10 years
Piuma chair, designed by Piero Lissoni, Kartell
With a weight of just 2.2 kilos and a shell with a minimum thickness (maximum 2 millimetres) it is the contemporary ultralight chair. It is one of the most revolutionary products from the leading company for innovation Made in Italy in terms of technologies and materials. This was the first time that the material – a complex thermoplastic polymer reinforced with carbon fibres – was injection moulded. In addition to its enviable lightness, the armchair is absolutely reliable in terms of durability and feels very pleasant thanks to the soft-touch effect finish. Flexible, stackable and available in various colours – white, grey, sage green, mustard, rust orange and black – this Red Dot Award Best of the Best 2017 piece is also suitable for outdoor use.
Piuma, Kartell, designed by Piero Lissoni
15 years
Sampei floor lamp, designed by Enzo Calabrese – Davide Groppi, Davide Groppi
A lamp that outdoes itself to excite and amaze. It rests on the ground, but is apparently suspended, thanks to a slender stem in statically very resistant carbon fibre, capable of reaching a height of 440 cm. Meticulous research and equal amounts of experimentation have transformed a flexible and telescopic fishing rod into an iconic, elegant and refined object that responds to the slightest shift with a delicate swaying movement, transmitting a rhythm of slow waiting, just like fishing – in this case fishing for light. The lamp, in fact, uses the concept of the “hook” to capture attention, creating a particularly intimate atmosphere. Available for both indoor and outdoor use, in a white or black version, it projects a pleasant light from above that can be adjusted to 20 different angles. Winner of the Compasso d’Oro ADI Award 2014.
Sampei, Davide Groppi, designed by Enzo Calabrese - Davide Groppi
20 years
Twiggy lamp, designed by Marc Sadler, Foscarini
An icon of arc lamps, which has given rise to a family of various sizes and functions: suspension, floor, wall, ceiling, table, outdoor. A classic that continues to be renewed, even in the colours (with Burgundy the latest shade) and materials – wood -, but always notable for an elegant and supple line. The latest addition, Twiggy Elle, presented to celebrate its 15th birthday, stresses the versatility of its family likeness with a new rod that takes the diffuser – adjustable in three different positions – even further away from the base, so offering greater freedom in the design of spaces. Its versatility explodes in the Twiggy Wood version with oak diffuser. The new look travels in symbiosis with a decisive technical update to the lighting unit, redesigned as a single, fully enclosed body, with a reduced height that ensures more light is reflected, enhancing the inside of the lampshade.
Twiggy Burgundy, Foscarini, designed by Marc Sadler
45 years
Carlton bookcase, designed by Ettore Sottsass, Memphis
A totem, which immediately became the symbol of the whole output of Memphis, the group formed in December 1980 by Ettore Sottsass with the declared intention of irreverently transgressing the rules of good design. A wooden bookcase covered in decorative laminate, characterized by bright colours and above all sloping shelves. It is a sculpture, the absolute protagonist of inhabited space, with an immediate allusion to archaic and anthropomorphic forms, presented at the Salone del Mobile in 1981. It is also a serious game that seems to reproduce an unstable house of cards in the search for new expressive potential. Also usable as a partition wall, revolutionizing the functionalist logic of living, the bookcase is in the design collection of the MoMA, New York.
