Jules & Jim
Jules & Jim are two simple armchairs, with a high seating comfort. Jules is the small version and Jim the larger version.
To remain faithful to the principle for self-honesty, the design of this collection unveils its construction method.
Generous proportions and a friendly, soft but still very architectural geometry: this is what defines Tokio Soft.
The hug, the friendly and welcoming gesture, seen more clearly in the "open - armed" of the armrests, is meant as a universal invitation: "come, sit with me a while and I will put you at ease".
Papillon applique lamp plays with transparencies, colours and geometric shapes.
Seating system with a comfortable line, where its structure can be enriched by the manual weave of the cowhide, in order to give an elegant scene to the sofa.
The seat was born from a very simple idea: two tubes bent into a “U” shape and connected together by a joint.
Bonsai is inspired by reflection upon Japanese aesthetics and culture. The seat is characterized by soft and curved shapes, reminiscent of clouds.
Banah sofa is born as a personal tribute, with the intent to create a bold design, that breathes references to all the icons of the company.
Slow waves, rolling hills, soothing pulse: kind, soft, iconic - soft beat.
A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless style and its elegant proportions, it adapts perfectly to any environment.
The continuous search for elegance and simplicity has brought the architect Carlo Colombo to the realization of Katrin armchair, conceived as a body to be dressed with an elegant and luxurious dres
The architect Cini Boeri tells that she was inspired by Christo Vladimirov Javasev's and Jeanne-Claude Denat de Guillebon's works, masters in the art of landscape painting.
Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.
Cini Boeri designed Botolo in 1973, giving life to a new design style, where you could choose the height of the legs to have a dining chair in the high version or a style, at that time modern, "the