Jules & Jim

Orfeo was inspired by Elettra chair, designed in the '50s for the first furnishings for offices and collective spaces.

The inherent simplicity of this structural gesture gives a sense of ethereal lightness when paired with the upholstered seat and high back. 

Thanks to its comfort, Taboga is also realized as outdoor furniture.

Supplì, designed by Luca Nichetto, is an inviting and elegant armchair; the soft and sinuous curves give off heat and embody a spatial anchoring, almost perfect for rest and relaxation.

Bobo, designed by Cini Boeri in 1967, is one of the first examples of a single-block bench.

arflex, always engaged in a constant work of research and realizations, presents 9000 by Tito Agnoli, a series of compact and variously articulated seats.

Boborelax nasce dalla costola di Bobo e costituisce con questo, un’insolita e curiosa famiglia di arredi essenziali, un esempio di design puro, senza etichetta e senza aggettivi.

Follow the flowing, softly-curving lines and surfaces, that describe Brigitte armchairs.  

To remain faithful to the principle for self-honesty, the design of this collection unveils its construction method.

Taboga armchair was designed by Cini Boeri in 1976.  

A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless style and its elegant proportions, it adapts perfectly to any environment.

The unique design and the wide modularity still make Marenco sofa a must of contemporary furniture.

Imagine a sofa, that sums up the perfect fusion of comfort, welcome and softness, while maintaining a linear and elegant design.

Bonsai is inspired by reflection upon Japanese aesthetics and culture. The seat is characterized by soft and curved shapes, reminiscent of clouds.

Alba is a bookcase for displaying and containing, with exceptional compositional versatility. The shelves, thanks to the fixing elements with a single pin, allow to create round compositions.

Two coloured glasses with different shapes, but complementary, create a play of transparencies.