Strips 77

A sofa with a minimalist and rigorous structure, for a comfortable and, at the same time, decorative effect.

Modular system designed around the classical geometry of the arch, employing from the beginning the disciplined use of the arch to create something more organic.

To remain faithful to the principle for self-honesty, the design of this collection unveils its construction method.

The extreme formal essentiality of these upholstered elements, designed in 1976 by the architect Mario Marenco, still makes them a very current model.

Taboga armchair was designed by Cini Boeri in 1976.  

arflex, to celebrate the great 52-years success of Marenco model, thought to “move it outside”.

Follow the flowing, softly-curving lines and surfaces, that describe Brigitte armchairs.  

Rigorous shape for the seating system Naviglio, but pleasantly softened in the lines, thanks to a competent use of the materials.

Cradle's characteristic is based on the structure: a classical triangular construction, that is repeated several times around the models.

Cini Boeri designed Botolo in 1973, giving life to a new design style, where you could choose the height of the legs to have a dining chair in the high version or a style, at that time modern, "the

The architect Cini Boeri tells that she was inspired by Christo Vladimirov Javasev's and Jeanne-Claude Denat de Guillebon's works, masters in the art of landscape painting.

The inherent simplicity of this structural gesture gives a sense of ethereal lightness when paired with the upholstered seat and high back. 

Neptunia collection was designed in the 1950s, as a continuous line of Elettra's series, to offer a wide choice to design offices and public spaces.

The new Edo sofa system offers another type of solution for the seat design, separating the seat cushion from the seat base. 

A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless style and its elegant proportions, it adapts perfectly to any environment.

Nestled on top of tubular metal frames, soft and rounded cushions define the Momo chair and armchair, lending them an expression all of their own and embodying a natural continuation of the unique