Alba is a bookcase for displaying and containing, with exceptional compositional versatility. The shelves, thanks to the fixing elements with a single pin, allow to create round compositions.
B.B.P.R. studio designed the armchair Giulietta with all the characteristics of arflex production: deep study of the line and absolute comfort, without forgetting the elegance.
Cini Boeri restores Bengodi model, designed in 1974, chosen by arflex, sure that it would have been loved, today as at that time.
Cini Boeri designed Botolo in 1973, giving life to a new design style, where you could choose the height of the legs to have a dining chair in the high version or a style, at that time modern, "the
Cradle's characteristic is based on the structure : a classical triangular construction, that is repeated several times around the models.
Modular system designed around the classical geometry of the arch, employing from the beginning the disciplined use of the arch to create something more organic.
For the design of the “Threshold” screen series, Neri&Hu proposes a free-standing partition that plays with structure, materiality, and dimensionality.
The seat was born from a very simple idea: two tubes bent into a “U” shape and connected together by a joint.
Seating system with a comfortable line, where its structure can be enriched by the manual weave of the cowhide, in order to give an elegant scene to the sofa.
The unique design and the wide modularity still make Marenco sofa a must of contemporary furniture.
Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.
Serenity, simplicity, materiality, modularity are some of the key words of Rendez-Vous.
To remain faithful to the principle for self-honesty, the design of this collection unveils its construction method.
Neptunia collection was designed in the 1950s, as a continuous line of Elettra's series, to offer a wide choice to design offices and public spaces.
The architect Cini Boeri tells that she was inspired by Christo Vladimirov Javasev's and Jeanne-Claude Denat de Guillebon's works, masters in the art of landscape painting.