Alba

We are at the end of the ‘50s: an interesting series of armchairs and sofas, designed by Roberto Menghi and called Hall, joins arflex collection.

The inherent simplicity of this structural gesture gives a sense of ethereal lightness when paired with the upholstered seat and high back. 

Rigorous shape for the seating system Naviglio, but pleasantly softened in the lines, thanks to a competent use of the materials.

arflex, always engaged in a constant work of research and realizations, presents 9000 by Tito Agnoli, a series of compact and variously articulated seats.

Designed in 1968, it awarded the prize Compasso d’Oro and it is displayed in several museums in the world, like for example the Triennale in Milan, in Tokyo, in Moma in New York, and others.

Cini Boeri designed Botolo in 1973, giving life to a new design style, where you could choose the height of the legs to have a dining chair in the high version or a style, at that time modern, "the

Modular system designed around the classical geometry of the arch, employing from the beginning the disciplined use of the arch to create something more organic.

Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upho

A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless style and its elegant proportions, it adapts perfectly to any environment.

Strips sofa-bed, where the cover becomes part of the bed itself: by opening a simple zip, the bed is ready, covered and perfect and only a pillow must be added. 

To remain faithful to the principle for self-honesty, the design of this collection unveils its construction method.

The unique design and the wide modularity still make Marenco sofa a must of contemporary furniture.

Two coloured glasses with different shapes, but complementary, create a play of transparencies.

Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.

Supplì, designed by Luca Nichetto, is an inviting and elegant armchair; the soft and sinuous curves give off heat and embody a spatial anchoring, almost perfect for rest and relaxation.

Neptunia collection was designed in the 1950s, as a continuous line of Elettra's series, to offer a wide choice to design offices and public spaces.