Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upholstered furniture.
Cradle's characteristic is based on the structure : a classical triangular construction, that is repeated several times around the models.
The unique design and the wide modularity still make Marenco sofa a must of contemporary furniture.
Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.
The extreme formal essentiality of these upholstered elements, designed in 1976 by the architect Mario Marenco, still makes them a very current model.
Very versatile seating system with the possibility of creating dynamic compositions, thanks to the versions of the backrests.
Rigorous shape for the seating system Naviglio, but pleasantly softened in the lines, thanks to a competent use of the materials.
Serenity, simplicity, materiality, modularity are some of the key words of Rendez-Vous.
The continuous search for elegance and simplicity has brought the architect Carlo Colombo to the realization of Katrin armchair, conceived as a body to be dressed with an elegant and luxurious dres
We are at the end of the ‘50s: an interesting series of armchairs and sofas, designed by Roberto Menghi and called Hall, joins arflex collection.
Cradle's characteristic is based on the structure: a classical triangular construction, that is repeated several times around the models.
Two coloured glasses with different shapes, but complementary, create a play of transparencies.
Cini Boeri designed Botolo in 1973, giving life to a new design style, where you could choose the height of the legs to have a dining chair in the high version or a style, at that time modern, "the
Slow waves, rolling hills, soothing pulse: kind, soft, iconic - soft beat.
A sofa with a minimalist and rigorous structure, for a comfortable and, at the same time, decorative effect.