Joker
Collection: Rare Matter
Thought by: Visionnaire
Category: Sofas and armchairs
Thought by: Visionnaire
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Category: Sofas and armchairs
Joker is conceived as a tribute to the organic and sensorial imagery of the Seventies, reinterpreted through a contemporary language that unites memory and vision.
Its geometry unfolds along a continuous, enveloping line, where the profile becomes a distinctive feature and the sides define the sculptural identity of the project. Generous proportions and a deep seat enhance authentic comfort, offering a relaxed and immersive living experience.
The surface comes alive through a contemporary pleating, a fluid gesture that amplifies the tactile perception of the material and the dialogue between light and shadow. A sartorial detail that transforms softness into an architectural statement. Enhancing this expressiveness are technoexpressive metal inserts, capable of capturing the light with a bold contrast and framing the surfaces with precision, strengthening the object’s identity. Completing the design is the metal armrest, available in two versions: a wider “wing-shaped” design upholstered with a leather pad that enhances both comfort and material richness; and a second, flatter version that echoes its profile with essential lines, refining the upholstery with a subtle, contemporary graphic touch.
The Bachi armchair originated in the 1960s from a playful and free approach to design, characteristic of the most experimental phase of Italian design.
Titan is a dining table designed to complement the Basalt island or function as a standalone piece. The Negresco marble top, dark and veined, rests on asymmetrical legs.
In the name Bloomington, the verb “to bloom” resonates. Yet here, the blossoming is architectural—a construction of form in space.
The Bold sofa takes shape as a coherent evolution of architectural legacies into an even more essential, compact and radical presence, where design asserts itself as a habitable sculpture and a con
Catskill makes an immediate impact with its declared strength — a primordial energy that recalls the mountain region west of the Hudson Valley from which it takes its name.
The Cigno armchair, designed by Vittorio Varo in the late 1960s, represents one of the most refined expressions of the experimental phase of Italian design during that period.
Core emerges as an expression of the original nucleus of light and architecture, placing the structural heart at the center as a generative and identity-defining principle of space.
The Frame upholstered piece originates from a reflection on structure as the primary principle of design. Its very name is not a decorative reference, but a declarative statement
Gea, from the Greek word for “earth,” explores the relationship between light and matter through a language inspired by geological processes.
Armchair in leather or fabric with a curved plywood structure. Seat with elastic webbing, polyurethane and Memory Foam® for enhanced comfort.
Low tables in a triptych: two in steel, one in marble. Thick slabs define base, support, and top. Inclined supports create kaleidoscopic reflections. Also usable individually.
