Core
Collection: Rare Matter
Thought by: Visionnaire
Category: Lighting
Thought by: Visionnaire
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Category: Lighting
Core emerges as an expression of the original nucleus of light and architecture, placing the structural heart at the center as a generative and identity-defining principle of space.
The name recalls the brutalist concept of the “core” as an essential load-bearing center: the axis around which form is organized and the constructive logic of the project is revealed. Not merely a technical element, but the very origin of the object, made visible and protagonist. At the center of the system, a continuous luminous core runs through glass panels with a vibrant, irregular surface. This vital axis does more than emit light; it constructs rhythm, presence, and depth, establishing a calibrated dialogue with the material strength of the metal joints, intentionally expressed as structural nodes and design statements.
Based on a triangular-section module, the project generates linear or polygonal compositions that evoke suspended micro-architectures. Core thus becomes a spatial device: a structural light that combines geometric rigor with artisanal mastery, translating retro-brutalism into an essential, powerful, and openly constructive aesthetic.
The Bachi armchair originated in the 1960s from a playful and free approach to design, characteristic of the most experimental phase of Italian design.
Titan is a dining table designed to complement the Basalt island or function as a standalone piece. The Negresco marble top, dark and veined, rests on asymmetrical legs.
In the name Bloomington, the verb “to bloom” resonates. Yet here, the blossoming is architectural—a construction of form in space.
The Bold sofa takes shape as a coherent evolution of architectural legacies into an even more essential, compact and radical presence, where design asserts itself as a habitable sculpture and a con
Catskill makes an immediate impact with its declared strength — a primordial energy that recalls the mountain region west of the Hudson Valley from which it takes its name.
The Cigno armchair, designed by Vittorio Varo in the late 1960s, represents one of the most refined expressions of the experimental phase of Italian design during that period.
The Frame upholstered piece originates from a reflection on structure as the primary principle of design. Its very name is not a decorative reference, but a declarative statement
Gea, from the Greek word for “earth,” explores the relationship between light and matter through a language inspired by geological processes.
Joker is conceived as a tribute to the organic and sensorial imagery of the Seventies, reinterpreted through a contemporary language that unites memory and vision.
Armchair in leather or fabric with a curved plywood structure. Seat with elastic webbing, polyurethane and Memory Foam® for enhanced comfort.
Low tables in a triptych: two in steel, one in marble. Thick slabs define base, support, and top. Inclined supports create kaleidoscopic reflections. Also usable individually.
