Catskill
Collection: Rare Matter
Thought by: Visionnaire
Category: Tables and coffee tables
Thought by: Visionnaire
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Category: Tables and coffee tables
Catskill makes an immediate impact with its declared strength — a primordial energy that recalls the mountain region west of the Hudson Valley from which it takes its name.
Like that landscape, cherished by New Yorkers for its intense and untamed nature, the table asserts its identity through material, weight, and gesture. The design is resolute. Archaic accents run through the structure, evoking the memory of forged metal, the rhythm of the farrier, the heat and pressure that transform raw matter into a finished form.
The surface does not conceal the process; it reveals it, achieving a refined balance between rigor and sophistication. The legs express an almost primitive solidity, while the hull beneath the top, crafted from thick slabs, features irregular, textured surfaces that capture light dynamically. Each element is treated as living material, worked to achieve a unique, unrepeatable result. The marble top completes the composition with a gesture of ancestral elegance. Its compact, sculptural presence introduces a dimension of balance, where material power is translated into controlled proportion.
The polished yet intense marble surface engages in dialogue with the underlying structure, creating a calibrated contrast between tension and purity.Catskill is not merely a functional element; it is a gravitational center — a presence that organizes space through mass, proportion, and formal integrity.
The Bachi armchair originated in the 1960s from a playful and free approach to design, characteristic of the most experimental phase of Italian design.
Titan is a dining table designed to complement the Basalt island or function as a standalone piece. The Negresco marble top, dark and veined, rests on asymmetrical legs.
In the name Bloomington, the verb “to bloom” resonates. Yet here, the blossoming is architectural—a construction of form in space.
The Bold sofa takes shape as a coherent evolution of architectural legacies into an even more essential, compact and radical presence, where design asserts itself as a habitable sculpture and a con
The Cigno armchair, designed by Vittorio Varo in the late 1960s, represents one of the most refined expressions of the experimental phase of Italian design during that period.
Core emerges as an expression of the original nucleus of light and architecture, placing the structural heart at the center as a generative and identity-defining principle of space.
The Frame upholstered piece originates from a reflection on structure as the primary principle of design. Its very name is not a decorative reference, but a declarative statement
Gea, from the Greek word for “earth,” explores the relationship between light and matter through a language inspired by geological processes.
Joker is conceived as a tribute to the organic and sensorial imagery of the Seventies, reinterpreted through a contemporary language that unites memory and vision.
Armchair in leather or fabric with a curved plywood structure. Seat with elastic webbing, polyurethane and Memory Foam® for enhanced comfort.
Low tables in a triptych: two in steel, one in marble. Thick slabs define base, support, and top. Inclined supports create kaleidoscopic reflections. Also usable individually.
