Taboga

To remain faithful to the principle for self-honesty, the design of this collection unveils its construction method.

Papillon applique lamp plays with transparencies, colours and geometric shapes.

Nestled on top of tubular metal frames, soft and rounded cushions define the Momo chair and armchair, lending them an expression all of their own and embodying a natural continuation of the unique

Two coloured glasses with different shapes, but complementary, create a play of transparencies.

A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless style and its elegant proportions, it adapts perfectly to any environment.

Alba is a bookcase for displaying and containing, with exceptional compositional versatility. The shelves, thanks to the fixing elements with a single pin, allow to create round compositions.

Neptunia collection was designed in the 1950s, as a continuous line of Elettra's series, to offer a wide choice to design offices and public spaces.

The extreme formal essentiality of these upholstered elements, designed in 1976 by the architect Mario Marenco, still makes them a very current model.

The unique design and the wide modularity still make Marenco sofa a must of contemporary furniture.

The new Edo sofa system offers another type of solution for the seat design, separating the seat cushion from the seat base. 

Thanks to its comfort, Taboga is also realized as outdoor furniture.

Inspired by the elegant aesthetics of bridges, but also by the famous works of the great architect and designer from Milan with the same name.

Cradle's characteristic is based on the structure: a classical triangular construction, that is repeated several times around the models.

Follow the flowing, softly-curving lines and surfaces, that describe Brigitte armchairs.  

The hug, the friendly and welcoming gesture, seen more clearly in the "open - armed" of the armrests, is meant as a universal invitation: "come, sit with me a while and I will put you at ease".

Follow the flowing, softly-curving lines and surfaces, that describe Brigitte armchairs.