Rigorous shape for the seating system Naviglio, but pleasantly softened in the lines, thanks to a competent use of the materials.
A luxurious proportioned seating system, with an accent from the Scandinavian heritage.
Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.
A linear and modular sofa, characterized by simple and sober elegance, which makes it comfortable in the dimensions in the living and hospitality spaces.
Floating on an upturned edge, reminiscent of the dress collar known in France with the name of "col Claudine".
We are at the end of the ‘50s: an interesting series of armchairs and sofas, designed by Roberto Menghi and called Hall, joins arflex collection.
Seating system with a comfortable line, where its structure can be enriched by the manual weave of the cowhide, in order to give an elegant scene to the sofa.
Algon is a series of armchairs with an embracing shape, that offers intimacy and privacy to the person they welcome.
The hug, the friendly and welcoming gesture, seen more clearly in the "open - armed" of the armrests, is meant as a universal invitation: "come, sit with me a while and I will put you at ease".
Two coloured glasses with different shapes, but complementary, create a play of transparencies.
Orfeo was inspired by Elettra chair, designed in the '50s for the first furnishings for offices and collective spaces.
Papillon applique lamp plays with transparencies, colours and geometric shapes.
Jules & Jim
Jules & Jim are two simple armchairs, with a high seating comfort. Jules is the small version and Jim the larger version.
Cini Boeri designed Botolo in 1973, giving life to a new design style, where you could choose the height of the legs to have a dining chair in the high version or a style, at that time modern, "the
Generous proportions and a friendly, soft but still very architectural geometry: this is what defines Tokio Soft.