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Modular system designed around the classical geometry of the arch, employing from the beginning the disciplined use of the arch to create something more organic.

Cradle's characteristic is based on the structure : a classical triangular construction, that is repeated several times around the models.

A sofa with a minimalist and rigorous structure, for a comfortable and, at the same time, decorative effect.

For the design of the “Threshold” screen series, Neri&Hu proposes a free-standing partition that plays with structure, materiality, and dimensionality.

To remain faithful to the principle for self-honesty, the design of this collection unveils its construction method.

Cradle's characteristic is based on the structure: a classical triangular construction, that is repeated several times around the models.

Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.

Banah sofa is born as a personal tribute, with the intent to create a bold design, that breathes references to all the icons of the company.

Cini Boeri designed Botolo in 1973, giving life to a new design style, where you could choose the height of the legs to have a dining chair in the high version or a style, at that time modern, "the

B.B.P.R. studio designed the armchair Giulietta with all the characteristics of arflex production: deep study of the line and absolute comfort, without forgetting the elegance.

It is possible to create a very large possibility of proposals with a personal character, maintaining the aesthetical and functional point of view, that place themselves individually in very differ

Supplì, designed by Luca Nichetto, is an inviting and elegant armchair; the soft and sinuous curves give off heat and embody a spatial anchoring, almost perfect for rest and relaxation.

Algon is a series of armchairs with an embracing shape, that offers intimacy and privacy to the person they welcome.

The architect Cini Boeri tells that she was inspired by Christo Vladimirov Javasev's and Jeanne-Claude Denat de Guillebon's works, masters in the art of landscape painting.

Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upho