arﬂex celebrates the 50-year success of the model Marenco presenting the outdoor version.
Algon is a series of armchairs with an embracing shape, that offers intimacy and privacy to the person they welcome.
Slow waves, rolling hills, soothing pulse: kind, soft, iconic - soft beat.
The architect Cini Boeri tells that she was inspired by Christo Vladimirov Javasev's and Jeanne-Claude Denat de Guillebon's works, masters in the art of landscape painting.
A sofa with a minimalist and rigorous structure, for a comfortable and, at the same time, decorative effect.
Cini Boeri restores Bengodi model, designed in 1974, chosen by arflex, sure that it would have been loved, today as at that time.
Cini Boeri designed Botolo in 1973, giving life to a new design style, where you could choose the height of the legs to have a dining chair in the high version or a style, at that time modern, "the
Bonsai is inspired by reflection upon Japanese aesthetics and culture. The seat is characterized by soft and curved shapes, reminiscent of clouds.
Cradle's characteristic is based on the structure : a classical triangular construction, that is repeated several times around the models.
At the end of the '60s, the architect Cini Boeri revolutionizes the furniture market with her model, that is now an "evergreen": the seating system Strips.
B.B.P.R. studio designed the armchair Giulietta with all the characteristics of arflex production: deep study of the line and absolute comfort, without forgetting the elegance.
To remain faithful to this search for interior honesty, the design of this collection reveals its constructive method.
Supplì, designed by Luca Nichetto, is an inviting and elegant armchair; the soft and sinuous curves give off heat and embody a spatial anchoring, almost perfect for rest and relaxation.
The continuous search for elegance and simplicity has brought the architect Carlo Colombo to the realization of Katrin armchair, conceived as a body to be dressed with an elegant and luxurious dres
Rigorous shape for the seating system Naviglio, but pleasantly softened in the lines, thanks to a competent use of the materials.