Hug

Modular system designed around the classical geometry of the arch, employing from the beginning the disciplined use of the arch to create something more organic.

Two coloured glasses with different shapes, but complementary, create a play of transparencies.

Orfeo was inspired by Elettra chair, designed in the '50s for the first furnishings for offices and collective spaces.

Bonsai is inspired by reflection upon Japanese aesthetics and culture. The seat is characterized by soft and curved shapes, reminiscent of clouds.

Bobo, designed by Cini Boeri in 1967, is one of the first examples of a single-block bench.

Cini Boeri designed Botolo in 1973, giving life to a new design style, where you could choose the height of the legs to have a dining chair in the high version or a style, at that time modern, "the

Jules & Jim are two simple armchairs, with a high seating comfort. Jules is the small version and Jim the larger version.

We are at the end of the ‘50s: an interesting series of armchairs and sofas, designed by Roberto Menghi and called Hall, joins arflex collection.

The extreme formal essentiality of these upholstered elements, designed in 1976 by the architect Mario Marenco, still makes them a very current model.

Supplì, designed by Luca Nichetto, is an inviting and elegant armchair; the soft and sinuous curves give off heat and embody a spatial anchoring, almost perfect for rest and relaxation.

Taboga armchair was designed by Cini Boeri in 1976.  

Follow the flowing, softly-curving lines and surfaces, that describe Brigitte armchairs.  

At the end of the '60s, the architect Cini Boeri revolutionizes the furniture market with her model, that is now an "evergreen": the seating system Strips.

Cradle's characteristic is based on the structure: a classical triangular construction, that is repeated several times around the models.

Nestled on top of tubular metal frames, soft and rounded cushions define the Momo chair and armchair, lending them an expression all of their own and embodying a natural continuation of the unique

Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.