We are at the end of the ‘50s: an interesting series of armchairs and sofas, designed by Roberto Menghi and called Hall, joins arflex collection. Hall armchair receives in 1959 the honorable mention for the Compasso d’Oro.
B.B.P.R. studio designed the armchair Giulietta with all the characteristics of arflex production: deep study of the line and absolute comfort, without forgetting the elegance.
Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.
A luxurious proportioned seating system, with an accent from the Scandinavian heritage.
The architect Cini Boeri tells that she was inspired by Christo Vladimirov Javasev's and Jeanne-Claude Denat de Guillebon's works, masters in the art of landscape painting.
A linear and modular sofa, characterized by simple and sober elegance, which makes it comfortable in the dimensions in the living and hospitality spaces.
To remain faithful to the principle for self-honesty, the design of this collection unveils its construction method.
The special form is inspired by a leaf falling from a tree, that becomes a symbol of comfort. It invites you to take a rest and relax.
A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless style and its elegant proportions, it adapts perfectly to any environment.
Banah sofa is born as a personal tribute, with the intent to create a bold design, that breathes references to all the icons of the company.
The extreme formal essentiality of these upholstered elements, designed in 1976 by the architect Mario Marenco, still makes them a very current model.
Very versatile seating system with the possibility of creating dynamic compositions, thanks to the versions of the backrests.
Two coloured glasses with different shapes, but complementary, create a play of transparencies.
Cini Boeri restores Bengodi model, designed in 1974, chosen by arflex, sure that it would have been loved, today as at that time.
It is possible to create a very large possibility of proposals with a personal character, maintaining the aesthetical and functional point of view, that place themselves individually in very differ