Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.
Two coloured glasses with different shapes, but complementary, create a play of transparencies.
Orfeo was inspired by Elettra chair, designed in the '50s for the first furnishings for offices and collective spaces.
Papillon applique lamp plays with transparencies, colours and geometric shapes.
Jules & Jim
Jules & Jim are two simple armchairs, with a high seating comfort. Jules is the small version and Jim the larger version.
Algon is a series of armchairs with an embracing shape, that offers intimacy and privacy to the person they welcome.
It is possible to create a very large possibility of proposals with a personal character, maintaining the aesthetical and functional point of view, that place themselves individually in very differ
The extreme formal essentiality of these upholstered elements, designed in 1976 by the architect Mario Marenco, still makes them a very current model.
Modular system designed around the classical geometry of the arch, employing from the beginning the disciplined use of the arch to create something more organic.
Serenity, simplicity, materiality, modularity are some of the key words of Rendez-Vous.
The architect Cini Boeri tells that she was inspired by Christo Vladimirov Javasev's and Jeanne-Claude Denat de Guillebon's works, masters in the art of landscape painting.
Slow waves, rolling hills, soothing pulse: kind, soft, iconic - soft beat.
A luxurious proportioned seating system, with an accent from the Scandinavian heritage.
Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upho
“She can look smart for when she goes to work, dressed up when going to a party, or put on something cosy when staying in. Dress her as you want her to be!”