Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.
Goya is a table with round and square, essential and simple lines, but with a great visual impact.
A sofa with a minimalist and rigorous structure, for a comfortable and, at the same time, decorative effect.
Alba is a bookcase for displaying and containing, with exceptional compositional versatility. The shelves, thanks to the fixing elements with a single pin, allow to create round compositions.
To remain faithful to this search for interior honesty, the design of this collection reveals its constructive method.
It is possible to create a very large possibility of proposals with a personal character, maintaining the aesthetical and functional point of view, that place themselves individually in very differ
The seat was born from a very simple idea: two tubes bent into a “U” shape and connected together by a joint.
Two coloured glasses with different shapes, but complementary, create a play of transparencies.
B.B.P.R. studio designed the armchair Giulietta with all the characteristics of arflex production: deep study of the line and absolute comfort, without forgetting the elegance.
Cradle's characteristic is based on the structure: a classical triangular construction, that is repeated several times around the models.
Papillon applique lamp plays with transparencies, colours and geometric shapes.
The unique design and the wide modularity still make Marenco sofa a must of contemporary furniture.
Very versatile seating system with the possibility of creating dynamic compositions, thanks to the versions of the backrests.
Neptunia collection was designed in the 1950s, as a continuous line of Elettra's series, to offer a wide choice to design offices and public spaces.
Carlo Colombo signs a large size and particularly comfortable seating system, inspired by the high peaks, but characterized by a great formal elegance.