Sigmund

The unique design and the wide modularity still make Marenco sofa a must of contemporary furniture.

Cradle's characteristic is based on the structure : a classical triangular construction, that is repeated several times around the models.

Floating on an upturned edge, reminiscent of the dress collar known in France with the name of "col Claudine".

To remain faithful to this search for interior honesty, the design of this collection reveals its constructive method.

It is possible to create a very large possibility of proposals with a personal character, maintaining the aesthetical and functional point of view, that place themselves individually in very differ

Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upho

Algon is a series of armchairs with an embracing shape, that offers intimacy and privacy to the person they welcome.

The hug, the friendly and welcoming gesture, seen more clearly in the "open - armed" of the armrests, is meant as a universal invitation: "come, sit with me a while and I will put you at ease".

Goya is a table with round and square, essential and simple lines, but with a great visual impact.

At the end of the '60s, the architect Cini Boeri revolutionizes the furniture market with her model, that is now an "evergreen": the seating system Strips.

Modular system designed around the classical geometry of the arch, employing from the beginning the disciplined use of the arch to create something more organic.

A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless style and its elegant proportions, it adapts perfectly to any environment.

Carlo Colombo signs a large size and particularly comfortable seating system, inspired by the high peaks, but characterized by a great formal elegance.

Serenity, simplicity, materiality, modularity are some of the key words of Rendez-Vous.

The architect Cini Boeri tells that she was inspired by Christo Vladimirov Javasev's and Jeanne-Claude Denat de Guillebon's works, masters in the art of landscape painting.