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The simple image makes the sofa reassuring in its contemporaneity; Leenus is a modular seating system, that allows the adjustment to countless furnishing spaces.

Two coloured glasses with different shapes, but complementary, create a play of transparencies.

The extreme formal essentiality of these upholstered elements, designed in 1976 by the architect Mario Marenco, still makes them a very current model.

Orfeo was inspired by Elettra chair, designed in the '50s for the first furnishings for offices and collective spaces.

Bonsai is inspired by reflection upon Japanese aesthetics and culture. The seat is characterized by soft and curved shapes, reminiscent of clouds.

Alba is a bookcase for displaying and containing, with exceptional compositional versatility. The shelves, thanks to the fixing elements with a single pin, allow to create round compositions.

The hug, the friendly and welcoming gesture, seen more clearly in the "open - armed" of the armrests, is meant as a universal invitation: "come, sit with me a while and I will put you at ease".

Thanks to its comfort, Taboga is also realized as outdoor furniture.

Rigorous shape for the seating system Naviglio, but pleasantly softened in the lines, thanks to a competent use of the materials.

A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless style and its elegant proportions, it adapts perfectly to any environment.

The architect Cini Boeri tells that she was inspired by Christo Vladimirov Javasev's and Jeanne-Claude Denat de Guillebon's works, masters in the art of landscape painting.

Neptunia collection was designed in the 1950s, as a continuous line of Elettra's series, to offer a wide choice to design offices and public spaces.

Cradle's characteristic is based on the structure: a classical triangular construction, that is repeated several times around the models.

Nestled on top of tubular metal frames, soft and rounded cushions define the Momo chair and armchair, lending them an expression all of their own and embodying a natural continuation of the unique

Cini Boeri designed Botolo in 1973, giving life to a new design style, where you could choose the height of the legs to have a dining chair in the high version or a style, at that time modern, "the

“With its strong, graphic presence and clear material choices, the Delta Vienna lounge chair offers a new interpretation in the spirit of Modernist design icons and creates a powerful counterpoint