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Arflex brings back Marius&Marius, the iconic sofa designed by Mario Marenco in the 1970s, symbol of an era when Italian design knew how to combine comfort, irony and originality.

Strips sofa-bed, where the cover becomes part of the bed itself: by opening a simple zip, the bed is ready, covered and perfect and only a pillow must be added. 

The unique design and the wide modularity still make Marenco sofa a must of contemporary furniture.

Taboga armchair was designed by Cini Boeri in 1976.  

We are at the end of the ‘50s: an interesting series of armchairs and sofas, designed by Roberto Menghi and called Hall, joins arflex collection.

Follow the flowing, softly-curving lines and surfaces, that describe Brigitte armchairs.  

Two coloured glasses with different shapes, but complementary, create a play of transparencies.

Bobo, designed by Cini Boeri in 1967, is one of the first examples of a single-block bench.

arflex, to celebrate the great 52-years success of Marenco model, thought to “move it outside”.

Generous proportions and a friendly, soft, but still very architectural geometry defines the Tokio sofa collection.

Thanks to its comfort, Taboga is also realized as outdoor furniture.

The simple image makes the sofa reassuring in its contemporaneity; Leenus is a modular seating system, that allows the adjustment to countless furnishing spaces.

Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upho

A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless style and its elegant proportions, it adapts perfectly to any environment.

The hug, the friendly and welcoming gesture, seen more clearly in the "open - armed" of the armrests, is meant as a universal invitation: "come, sit with me a while and I will put you at ease".

Nestled on top of tubular metal frames, soft and rounded cushions define the Momo chair and armchair, lending them an expression all of their own and embodying a natural continuation of the unique