Everything you need to know about the 64th edition: dates, times, tickets, the return of EuroCucina / FTK – Technology For the Kitchen. And then the International Bathroom Exhibition, and the absolute novelties such as Salone Raritas, Salone Contract and the installation “Aurea, an Architectural Fiction”
Domus Antoniolupi: where the bathroom becomes home
Street_Light, designed by Al Studio, Antoniolupi
At the Salone del Mobile, the Tuscan company presents a 900 square meter stand inspired by the Roman house. Designed by Giorgio Rava, the space upends the logic of the fair: first the architecture, then the products. A conversation with Andrea Lupi
In the Roman domus each room had a name, a function and a precise rhythm. The spaces were organized along a continuous axis, from atrium to tablinum to peristyle, in a sequence in which the passage from one room to another was both architectural and social. The domus was an integrated system: each room dialogued with the others, and the quality of living was measured by the coherence of the whole. It is an idea of space that is now back in the news in the way we think of the home, and especially the bathroom. For decades confined to a purely technical function, today it has acquired a new centrality as the place for self-care, an intimate but no longer isolated room, which engages with the rest of the house and influences it. There is an increasingly fine distinction between living quarters, sleeping quarters and bathroom, requiring not just technical skills but a design vision capable of combining functionality, materials and feelings.
This is exactly the field of investigation of Antoniolupi, a Tuscan company that for years has extended its research from the bathroom to the living room, bringing the same quality materials, the same formal coherence and the same sartorial attitude to the project in both areas. For the Salone del Mobile 2026, the company will translate this vision into architecture with the Domus Antoniolupi: not a trade fair display in the traditional sense, but a space to be walked through and inhabited.
The project, designed by Giorgio Rava, will develop as a sequence of five rooms organized around a central space, mirroring the layout of the atrium in the ancient Roman house. Each room will offer a different interpretation of the relationship between bathroom and living room, creating interiors in which furnishings, surfaces and elements related to water will coexist within a single domestic landscape.
This year Antoniolupi wants to reverse the usual order of things. “Usually you have the products and then you ask an architect to build a display around them. We worked the opposite way,” says Andrea Lupi, the company’s CEO and art director. “The Domus project came first and the products followed. It is as if we had made them to suit the space, the presentation.” The stand – about 900 square meters in Pavilion 22 (A05–A07), accessible only with guided tours – will be configured as an installation in which the fusion between bathroom and living room takes concrete shape. “We want to recount antoniolupi’s new image,” explains Lupi, “and show people that these two worlds can coexist in the same space.”
“Unlike many exhibition stands, where there is a tendency to show as many finishes as possible, we have chosen only two materials: Evo oak and Botticino marble. Quintessence and coherence,” says the artistic director. Evo oak is a new natural and tactile finish; combined with Botticino, it will define a warm and uniform colour landscape in which the products will emerge without competing with the context.
Inside the Antoniolupi Domus, different design souls will coexist, united by the same root: research into materials and interaction with water. On the one hand, there is Carsico, the washbasin-sculpture designed by Paolo Ulian, stemming from a reflection on marble coring. “It’s a poetic washbasin,” Andrea Lupi says. “From the coring process emerged an object that I call an organ. The CNC machine does a third of the work: the rest is handcrafted. We have returned to the old artist who sculpted the stone.”
On the other hand, there is the Sensor technology, applied to Giorgio Rava's Lineadacqua collection: a system that completely eliminates traditional taps. “With sensors you can adjust the temperature and power of the water, you just have to bring your hand close for it to come out. You don't touch anything anymore,” says Lupi. Presented last year for the washbasin, the technology will now be extended to bathtub and shower.
Among the other novelties, Michele Vitaloni designs Nazionale, a line of rigorously geometric taps; Brian Sironi presents Lilium, a washbasin inspired by the shape of the flower; Carlo Colombo designs Slide, a monolithic bathtub made from a single block of marble. The stand will also host Batua pony‑hair rugs by Nevio Tellatin and a new capsule collection of porcelain stoneware wall tiles designed by Carlo Colombo, Gumdesign, Giorgio Rava and Mario Trimarchi.
“There is innovation, research, design, project coherence. Visitors will certainly see all this,” concludes Andrea Lupi. It is perhaps the best example of what the Antoniolupi Domus will try to be: not a display for viewing but a project for living in. Even if it’s only for the duration of a hectic visit to the Salone.
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