Eduard New

The Duke armchair is expressed by soft lines that blend into the texture of the fabric in shades of pink and purple and create a sophisticated ambience.

The aesthetic effect of the quilting of the backrest and bed frame, invites you to a spontaneous repose. Terence is developed along a compact structure that communicates solidity and softness.

Z is characterized by the particular shape of the base consisting of individual sheets folded and screwed together that strengthen the stability and design of the object.

The charm of the armchair in leather continues to resist finding new interpretative keys.

A metal coffee table that contrasts the square shape of the base with the roundness of the top. 

A sofa with a rigorous design, whose distinctive feature is the equipment of back cushions with mechanism to adjust the cushion inclination .

Alexander sofa collection along the entire perimeter of the structure maintains the same height and rigor and ends in an enveloping armrest, squared outside and rounded inside.

Cliff is a truly precious bed enriched by a vintage effect of an anthracite grey leather and the Capitonnè manufacturing.

The Demetra armchair is characterized by the large seat, the compact backrest and the burnished metal feet: a strict design with a retro character.

A sofa inspired by the past, the mythical 60s, to furnish modern spaces.

Backrest structure and bed frame of high “thickness” for size and solidity but the peculiarity of this bed is the possibility of moving the back cushions independently with a simple gesture of the

Also the version Duke High is inspired by the 60s. In this proposal the bed frame becomes protagonist: higher frame for more comfort and style.

Inspired by the shapes of the ’20s, Max summarizes and interprets the traditional capitonnè manufacturing, performed in collection pieces for the value and the handcraft skills necessary to realize

The poufs of the “Round” line are extremely versatile furnishing accessories within the environment.

Ernest New softens the rigor of its forms with the curves that accompany the armrests to the seat.