Eduard New is a vocation to welcoming and comfort: enveloping design related to the rounded backrests, large seats and the goose-downs pillows. Each form of the sofa is underlined by a precious fabric piping, details of a fine workmanship where the hand of man constitutes a value.
A new collection of beds inspired by 60s shapes. Inclined metal feet, upholstered and shaped headboard that folds like an origami leaning gracefully on the bed frame.
The charm of the armchair in leather continues to resist finding new interpretative keys.
On the one hand Amie evokes style and taste inspired by the iconic forms, on the other it captures the curved lines of the armrests, an entirely innovative aspect with futuristic features.
Alexander sofa collection along the entire perimeter of the structure maintains the same height and rigor and ends in an enveloping armrest, squared outside and rounded inside.
Also the version Duke High is inspired by the 60s. In this proposal the bed frame becomes protagonist: higher frame for more comfort and style.
Ernest New softens the rigor of its forms with the curves that accompany the armrests to the seat.
Terence XL, the surface of the backrest widens almost to become a soft, thick wall panelling. Soft and compact, a functional oxymoron that expresses a broad-minded comfort.
A bed that speaks a natural language focusing on the simplicity of a reassuring form. A gross grain piping draws the contrasting profiles and defines aesthetically their thickness.
Cliff is a truly precious bed enriched by a vintage effect of an anthracite grey leather and the Capitonnè manufacturing.
A sofa with a rigorous design, whose distinctive feature is the equipment of back cushions with mechanism to adjust the cushion inclination .
The Duke armchair is expressed by soft lines that blend into the texture of the fabric in shades of pink and purple and create a sophisticated ambience.
The Margot armchair is a very versatile piece of furniture due to the high level of customization of the upholstery, seams and the choice of the support structure.
Inspired by the shapes of the ’20s, Max summarizes and interprets the traditional capitonnè manufacturing, performed in collection pieces for the value and the handcraft skills necessary to realize
A “bohemian” spirit for informal proposals. Maxime combines the ergonomic rigor to spontaneity of authentic gestures of life.