Eduard New

Patrick, individual elements that can be combined in several positions in a game of soft and inviting geometries. A sofa with a versatile character that meets all space and relaxation needs.

The workmanship of the backrest in capitonné distinguish the armchair Nicole. The legs in black painted wood supports the structure highlighting a retro-style design.

A sofa with a rigorous design, whose distinctive feature is the equipment of back cushions with mechanism to adjust the cushion inclination .

The Loren armchair, looking like a seductive film diva, combines refined design with creativity, which is expressed by unusual velvet.

Also the version Duke High is inspired by the 60s. In this proposal the bed frame becomes protagonist: higher frame for more comfort and style.

The charm of the armchair in leather continues to resist finding new interpretative keys.

A bed that speaks a natural language focusing on the simplicity of a reassuring form. A gross grain piping draws the contrasting profiles and defines aesthetically their thickness.

On the one hand Amie evokes style and taste inspired by the iconic forms, on the other it captures the curved lines of the armrests, an entirely innovative aspect with futuristic features.

A sofa inspired by the past, the mythical 60s, to furnish modern spaces.

Backrest structure and bed frame of high “thickness” for size and solidity but the peculiarity of this bed is the possibility of moving the back cushions independently with a simple gesture of the

A sofa with informal lines and extremely dynamic forms: single elements are combined to fit the space and enhance its value. Details like a double seam crosses the seat and enrich it.

Slim New is characterized by a minimal design: a thin base and backrests in contrast with the high thickness of back- and seat cushions that ensures a comfortable support with an “aristocratic” aes

The Demetra armchair is characterized by the large seat, the compact backrest and the burnished metal feet: a strict design with a retro character.

Inspired by the shapes of the ’20s, Max summarizes and interprets the traditional capitonnè manufacturing, performed in collection pieces for the value and the handcraft skills necessary to realize

The Scarlet armchair is characterized by its unique asymmetry of the armrests and a washable and removable melange fabric.