Duke

Backrest structure and bed frame of high “thickness” for size and solidity but the peculiarity of this bed is the possibility of moving the back cushions independently with a simple gesture of the

A “bohemian” spirit for informal proposals. Maxime combines the ergonomic rigor to spontaneity of authentic gestures of life.

The enveloping and sinuous lines, the originality of the element shapes that compose it, the large seats and the goose down cushions: the Eduard New sofa is the vocation for hospitality and comfor

An intriguing story full of suggestions, an authentic work of weaving and creativity, a bed that lets you understand from its compact and sinuous shape a promise of peerless comfort like the headbo

Claude is the comfort of a chair and of a two- and three-seater sofa, characterized by rounded and elegant shapes and inclined feet that mirrors the lines of the armrests.

Liam and Oscar are two truly versatile furnishing accessories: comfortable ottomans or practical counter tops.

The harmonic shape of the sofas of the Ethos collection is an invitation to enjoy pleasant moments of relaxation.

Alexander sofa collection along the entire perimeter of the structure maintains the same height and rigor and ends in an enveloping armrest, squared outside and rounded inside.

Also the version Duke High is inspired by the 60s. In this proposal the bed frame becomes protagonist: higher frame for more comfort and style.

The poufs of the “Round” line are extremely versatile furnishing accessories within the environment.

The aesthetic effect of the quilting of the backrest and bed frame, invites you to a spontaneous repose. Terence is developed along a compact structure that communicates solidity and softness.

Terence XL, the surface of the backrest widens almost to become a soft, thick wall panelling. Soft and compact, a functional oxymoron that expresses a broad-minded comfort.

Welcoming in form and important in volume, the Criss Cross armchair is the perfect meeting of style and comfort.

Inspired by the shapes of the ’20s, Max summarizes and interprets the traditional capitonnè manufacturing, performed in collection pieces for the value and the handcraft skills necessary to realize

Slim New is characterized by a minimal design: a thin base and backrests in contrast with the high thickness of back- and seat cushions that ensures a comfortable support with an “aristocratic” aes

Informal lines and extremely dynamic shapes express the true character of this sofa with multiple compositional possibilities.