Maxime

The Duke armchair is expressed by soft lines that blend into the texture of the fabric in shades of pink and purple and create a sophisticated ambience.

Slim New is characterized by a minimal design: a thin base and backrests in contrast with the high thickness of back- and seat cushions that ensures a comfortable support with an “aristocratic” aes

The workmanship of the backrest in capitonné distinguish the armchair Nicole. The legs in black painted wood supports the structure highlighting a retro-style design.

The Ethos line is accompanied by furnishing accessories such as small footrest poufs.

Orbital, is a mirror in the mirror.

A bed that speaks a natural language focusing on the simplicity of a reassuring form. A gross grain piping draws the contrasting profiles and defines aesthetically their thickness.

Claude is the comfort of a chair and of a two- and three-seater sofa, characterized by rounded and elegant shapes and inclined feet that mirrors the lines of the armrests.

The Scarlet armchair is characterized by its unique asymmetry of the armrests and a washable and removable melange fabric.

Ernest New softens the rigor of its forms with the curves that accompany the armrests to the seat.

Q is characterized by the particular shape of the base consisting of individual sheets folded and screwed together that strengthen the stability and design of the object.

Informal lines and extremely dynamic shapes express the true character of this sofa with multiple compositional possibilities.

Inspired by the shapes of the ’20s, Max summarizes and interprets the traditional capitonnè manufacturing, performed in collection pieces for the value and the handcraft skills necessary to realize

Liam and Oscar are two truly versatile furnishing accessories: comfortable ottomans or practical counter tops.

Solidity and rigor are aspects that emerge clearly in Victor who already in his name states his strengths.