Duke

Terence XL, the surface of the backrest widens almost to become a soft, thick wall panelling. Soft and compact, a functional oxymoron that expresses a broad-minded comfort.

The Scarlet armchair is characterized by its unique asymmetry of the armrests and a washable and removable melange fabric.

The aesthetic effect of the quilting of the backrest and bed frame, invites you to a spontaneous repose. Terence is developed along a compact structure that communicates solidity and softness.

The Margot armchair is a very versatile piece of furniture due to the high level of customization of the upholstery, seams and the choice of the support structure.

A sofa inspired by the past, the mythical 60s, to furnish modern spaces.

A “bohemian” spirit for informal proposals. Maxime combines the ergonomic rigor to spontaneity of authentic gestures of life.

The Duke armchair is expressed by soft lines that blend into the texture of the fabric in shades of pink and purple and create a sophisticated ambience.

Alexander sofa collection along the entire perimeter of the structure maintains the same height and rigor and ends in an enveloping armrest, squared outside and rounded inside.

Backrest structure and bed frame of high “thickness” for size and solidity but the peculiarity of this bed is the possibility of moving the back cushions independently with a simple gesture of the

A sofa with a rigorous design, whose distinctive feature is the equipment of back cushions with mechanism to adjust the cushion inclination .

Patrick, individual elements that can be combined in several positions in a game of soft and inviting geometries. A sofa with a versatile character that meets all space and relaxation needs.

The charm of the armchair in leather continues to resist finding new interpretative keys.

Eduard New is a vocation to welcoming and comfort: enveloping design related to the rounded backrests, large seats and the goose-downs pillows.

The workmanship of the backrest in capitonné distinguish the armchair Nicole. The legs in black painted wood supports the structure highlighting a retro-style design.

Inspired by the shapes of the ’20s, Max summarizes and interprets the traditional capitonnè manufacturing, performed in collection pieces for the value and the handcraft skills necessary to realize