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Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.

Taboga armchair was designed by Cini Boeri in 1976.  

To remain faithful to the principle for self-honesty, the design of this collection unveils its construction method.

The unique design and the wide modularity still make Marenco sofa a must of contemporary furniture.

Inspired by the elegant aesthetics of bridges, but also by the famous works of the great architect and designer from Milan with the same name.

Follow the flowing, softly-curving lines and surfaces, that describe Brigitte armchairs.  

The hug, the friendly and welcoming gesture, seen more clearly in the "open - armed" of the armrests, is meant as a universal invitation: "come, sit with me a while and I will put you at ease".

Supplì, designed by Luca Nichetto, is an inviting and elegant armchair; the soft and sinuous curves give off heat and embody a spatial anchoring, almost perfect for rest and relaxation.

Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upho

Imagine a sofa, that sums up the perfect fusion of comfort, welcome and softness, while maintaining a linear and elegant design.

Orfeo was inspired by Elettra chair, designed in the '50s for the first furnishings for offices and collective spaces.

At the end of the '60s, the architect Cini Boeri revolutionizes the furniture market with her model, that is now an "evergreen": the seating system Strips.

Two coloured glasses with different shapes, but complementary, create a play of transparencies.

Neptunia collection was designed in the 1950s, as a continuous line of Elettra's series, to offer a wide choice to design offices and public spaces.

A sofa with a minimalist and rigorous structure, for a comfortable and, at the same time, decorative effect.

The architect Cini Boeri tells that she was inspired by Christo Vladimirov Javasev's and Jeanne-Claude Denat de Guillebon's works, masters in the art of landscape painting.