Bobo

The hug, the friendly and welcoming gesture, seen more clearly in the "open - armed" of the armrests, is meant as a universal invitation: "come, sit with me a while and I will put you at ease".

Cradle's characteristic is based on the structure: a classical triangular construction, that is repeated several times around the models.

We are at the end of the ‘50s: an interesting series of armchairs and sofas, designed by Roberto Menghi and called Hall, joins arflex collection.

Nestled on top of tubular metal frames, soft and rounded cushions define the Momo chair and armchair, lending them an expression all of their own and embodying a natural continuation of the unique

Yuzu is a small - but very comfortable - armchair with a big personality.

Modular system designed around the classical geometry of the arch, employing from the beginning the disciplined use of the arch to create something more organic.

The architect Cini Boeri tells that she was inspired by Christo Vladimirov Javasev's and Jeanne-Claude Denat de Guillebon's works, masters in the art of landscape painting.

A sofa with a minimalist and rigorous structure, for a comfortable and, at the same time, decorative effect.

Cini Boeri designed Botolo in 1973, giving life to a new design style, where you could choose the height of the legs to have a dining chair in the high version or a style, at that time modern, "the

The inherent simplicity of this structural gesture gives a sense of ethereal lightness when paired with the upholstered seat and high back. 

To remain faithful to the principle for self-honesty, the design of this collection unveils its construction method.

Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.

arflex, always engaged in a constant work of research and realizations, presents 9000 by Tito Agnoli, a series of compact and variously articulated seats.

The new Edo sofa system offers another type of solution for the seat design, separating the seat cushion from the seat base. 

The collection is composed by small tables, available with circular or square tops, with a sturdy steel base contrasted with a soft rounded table edge, and by two service small tables, defined by t

Designed in 1968, it awarded the prize Compasso d’Oro and it is displayed in several museums in the world, like for example the Triennale in Milan, in Tokyo, in Moma in New York, and others.