Bobo

Designed in 1968, it awarded the prize Compasso d’Oro and it is displayed in several museums in the world, like for example the Triennale in Milan, in Tokyo, in Moma in New York, and others.

Jules & Jim are two simple armchairs, with a high seating comfort. Jules is the small version and Jim the larger version.

The collection is composed by small tables, available with circular or square tops, with a sturdy steel base contrasted with a soft rounded table edge, and by two service small tables, defined by t

Bonsai is inspired by reflection upon Japanese aesthetics and culture. The seat is characterized by soft and curved shapes, reminiscent of clouds.

Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upho

A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless style and its elegant proportions, it adapts perfectly to any environment.

The new Edo sofa system offers another type of solution for the seat design, separating the seat cushion from the seat base. 

arflex, always engaged in a constant work of research and realizations, presents 9000 by Tito Agnoli, a series of compact and variously articulated seats.

Strips sofa-bed, where the cover becomes part of the bed itself: by opening a simple zip, the bed is ready, covered and perfect and only a pillow must be added. 

Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.

Nestled on top of tubular metal frames, soft and rounded cushions define the Momo chair and armchair, lending them an expression all of their own and embodying a natural continuation of the unique

Papillon applique lamp plays with transparencies, colours and geometric shapes.

The hug, the friendly and welcoming gesture, seen more clearly in the "open - armed" of the armrests, is meant as a universal invitation: "come, sit with me a while and I will put you at ease".

Inspired by the elegant aesthetics of bridges, but also by the famous works of the great architect and designer from Milan with the same name.

To remain faithful to the principle for self-honesty, the design of this collection unveils its construction method.

The extreme formal essentiality of these upholstered elements, designed in 1976 by the architect Mario Marenco, still makes them a very current model.