arflex plans a journey through Italy to rediscover and savour the history of expert artisan culture.
It encompasses historical and modern architecture, meeting different people who are the guardians of international taste and ideas.
arflex brings to this journey its ability to synthesize design, quality, use and heart.
The extreme formal essentiality of these upholstered elements, designed in 1976 by the architect Mario Marenco, still makes them a very current model.
Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upho
Imagine a sofa, that sums up the perfect fusion of comfort, welcome and softness, while maintaining a linear and elegant design.
A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless style and its elegant proportions, it adapts perfectly to any environment.
“With its strong, graphic presence and clear material choices, the Delta Vienna lounge chair offers a new interpretation in the spirit of Modernist design icons and creates a powerful counterpoint
A sofa with a minimalist and rigorous structure, for a comfortable and, at the same time, decorative effect.
Jules & Jim are two simple armchairs, with a high seating comfort. Jules is the small version and Jim the larger version.
Nestled on top of tubular metal frames, soft and rounded cushions define the Momo chair and armchair, lending them an expression all of their own and embodying a natural continuation of the unique
Inspired by the elegant aesthetics of bridges, but also by the famous works of the great architect and designer from Milan with the same name.
Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.
Cini Boeri designed Botolo in 1973, giving life to a new design style, where you could choose the height of the legs to have a dining chair in the high version or a style, at that time modern, "the
We are at the end of the ‘50s: an interesting series of armchairs and sofas, designed by Roberto Menghi and called Hall, joins arflex collection.
The hug, the friendly and welcoming gesture, seen more clearly in the "open - armed" of the armrests, is meant as a universal invitation: "come, sit with me a while and I will put you at ease".
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