arflex plans a journey through Italy to rediscover and savour the history of expert artisan culture.
It encompasses historical and modern architecture, meeting different people who are the guardians of international taste and ideas.
arflex brings to this journey its ability to synthesize design, quality, use and heart.
“With its strong, graphic presence and clear material choices, the Delta Vienna lounge chair offers a new interpretation in the spirit of Modernist design icons and creates a powerful counterpoint
We are at the end of the ‘50s: an interesting series of armchairs and sofas, designed by Roberto Menghi and called Hall, joins arflex collection.
Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upho
Orfeo was inspired by Elettra chair, designed in the '50s for the first furnishings for offices and collective spaces.
Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.
Arflex brings back Marius&Marius, the iconic sofa designed by Mario Marenco in the 1970s, symbol of an era when Italian design knew how to combine comfort, irony and originality.
The simple image makes the sofa reassuring in its contemporaneity; Leenus is a modular seating system, that allows the adjustment to countless furnishing spaces.
At the end of the '60s, the architect Cini Boeri revolutionizes the furniture market with her model, that is now an "evergreen": the seating system Strips.
The inherent simplicity of this structural gesture gives a sense of ethereal lightness when paired with the upholstered seat and high back.
Neptunia collection was designed in the 1950s, as a continuous line of Elettra's series, to offer a wide choice to design offices and public spaces.
Follow the flowing, softly-curving lines and surfaces, that describe Brigitte armchairs.
Rigorous shape for the seating system Naviglio, but pleasantly softened in the lines, thanks to a competent use of the materials.
The hug, the friendly and welcoming gesture, seen more clearly in the "open - armed" of the armrests, is meant as a universal invitation: "come, sit with me a while and I will put you at ease".
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