Candy Stripes RR2.00.367

SKEENS TABU BOISERIE- Combining the soul of nature in a single product.

A geometric inlay in Larch, Oak and Eucalyptus, used in very refined tones enhancing the vein; a project based on an overlapping of planes and angles without the same inclination, where the metal t

TONDO TONDO (design by Nicola da Dalto) is an industrial inlay in natural dyed veneer Walnut by TABU.

CITY VIBES (design by Federica Citterio and Williams Pompei). Multilaminar wood veneer winner of the Contest IdeasXwood, Professionals category.

In this panel the lines are put next to each other and complete a similar one on each side of the drawing: it is a “stripped” Kandinsky.

A multilaminar wood veneer that recalls  in a very refined way  the fabric.

Industrial inlay enhancing the biodiversity through the excellent reuse of noble wood species (up to 12 different species such as Lati, Walnut, Tanganika, Figured Maple, Sucupira, Ash, Eucalyptus,

Industrial inlay of huge emotional impact communicating the vital energy of the forest and the imposing evergreen leafy fronds moved by the wind, thanks to the diagonal layout of the wood sheets of

PUNTO (design Clémence Plumelet) is a multilaminar wood veneer inspired by the Italian heritage: the aesthetic aim is to incorporate the Italian secular exquisite technique of the straw mosaic in t

Delicate grey tones for the latest-generation multilaminar wood veneers, the result of an extreme optimisation of the raw material, inspired by the circularity and the limitation of the environment

SKEENS TABU BOISERIE -The softness and elegance of silk proposed by Bolivar wood. A blue tone enhances inner calm and fosters the search for refined environments offering cosy shelter.

TONDO TONDO (design by Nicola da Dalto) is an industrial inlay in natural dyed veneer Tay by TABU, whose project was the winner in the Students category of the Contest IDEASxWOOD by TABU, I edition

Delicate sand tones for the latest-generation multilaminar wood veneers that are the fruit of an extreme optimisation of the raw material, inspired by the circularity and the limitation of the envi

Simplicity together with the movement as Bruno Munari or Giacomo Balla would have liked.

Industrial inlay enhancing the biodiversity through the excellent reuse of noble wood species (up to 12 different species such as Lati, Walnut, Tanganika, Figured Maple, Sucupira, Ash, Eucalyptus,