Marcel bed

This seating collection by Pierre Gonalons is inspired by the revolutionary creations of designer Kazuhide Takahama for Dino Gavina. 

The Marcel collection, a seating system developed in 1965 by Japanese architect Kazuhide Takahama, was a tribute by Dino Gavina to Marcel Duchamp, his dear friend.

The Marcel collection, a seating system developed in 1965 by Japanese architect Kazuhide Takahama, was a tribute by Dino Gavina to Marcel Duchamp, his dear friend. 

A new proposal for a non-square shaped rug.

Mantilla collection by Japanese architect Kazuhide Takahama suits to the silence and quiet elegance of the morning light while in the evening it is right for very large or smaller rooms.

A light sparkling cascade, a transparent wall of wires, a translucent mirror moving with a breath of air, thus creating a bright sparkle, a magic presence in a space. 

Inviting lips radiating sensuality. A prelude to an invitation, a kiss or a smile – whatever you want it to be.

This “functional work of art” represents in an exemplary way the concept of Ultramobile, operation conceived by Dino Gavina in 1971 with the aim of adapting in a surprising way the surrealist objec

Man Ray once again surprises us with unexpected idea: an enigmatic, anticipating, suggesting work. A seed that will germinate in the following decades.

A brand new screen by Allen Jones exclusively for Paradisoterrestre in a limited edition of 30 signed and numbered pieces (+2AP).

Prisma armchair was conceived by Italian artist and designer Augusto Betti in 1971, during lectures to his students in his hometown Faenza.

Prisma sofa was conceived by Italian artist and designer Augusto Betti in 1971, during lectures to his students in his hometown Faenza.

The balanced gesture of the hand translates into a volumetric element. The Noodle armchair by Italian artist and designer Augusto Betti welcomes us in a harmonic dimension.

Designed by Japanese architect and designer Kazuhide Takahama for the Bolognese entrepreneur Dino Gavina in 1984.

This is the wooden version of a project developed when architect Kazuhide Takahama was in Italy to set up the Japanese pavilion at XI Triennale in Milan, 1956/57. 

Part of the historic and revolutionary operation Ultramobile, conceived by Dino Gavina in 1971 with the aim of surprisingly adapting the surrealist object to everyday use.