Mezzanotte

The screen has been for centuries a decorative element and a divider. Function and poetry, tied in perfect harmony, go hand in hand. A screen is an architecture, a sculpture, a poetic space.

Prisma sofa was conceived by Italian artist and designer Augusto Betti in 1971, during lectures to his students in his hometown Faenza.

Bibliochaise, the armchair-bookcase by designer Giovanni Gennari, now part of Paradisoterrestre catalogue.

Sleeping beauty by Calori & Maillard is a tribute to Meret Oppenheim.

Designed by Japanese architect and designer Kazuhide Takahama for the Bolognese entrepreneur Dino Gavina in 1984.

The balanced gesture of the hand translates into a volumetric element. The Noodle armchair by Italian artist and designer Augusto Betti welcomes us in a harmonic dimension.

This is the wooden version of a project developed when architect Kazuhide Takahama was in Italy to set up the Japanese pavilion at XI Triennale in Milan, 1956/57. 

Prisma armchair was conceived by Italian artist and designer Augusto Betti in 1971, during lectures to his students in his hometown Faenza.

A brand new screen by Allen Jones exclusively for Paradisoterrestre in a limited edition of 30 signed and numbered pieces (+2AP).

This “functional work of art” represents in an exemplary way the concept of Ultramobile, operation conceived by Dino Gavina in 1971 with the aim of adapting in a surprising way the surrealist objec

Inviting lips radiating sensuality. A prelude to an invitation, a kiss or a smile – whatever you want it to be.

A light sparkling cascade, a transparent wall of wires, a translucent mirror moving with a breath of air, thus creating a bright sparkle, a magic presence in a space. 

Mantilla collection by Japanese architect Kazuhide Takahama suits to the silence and quiet elegance of the morning light while in the evening it is right for very large or smaller rooms.

The Marcel collection, a seating system developed in 1965 by Japanese architect Kazuhide Takahama, was a tribute by Dino Gavina to Marcel Duchamp, his dear friend. 

Part of the historic and revolutionary operation Ultramobile, conceived by Dino Gavina in 1971 with the aim of surprisingly adapting the surrealist object to everyday use.

A new proposal for a non-square shaped rug.