Bonsai

arflex, to celebrate the great 52-years success of Marenco model, thought to “move it outside”.

Cini Boeri designed Botolo in 1973, giving life to a new design style, where you could choose the height of the legs to have a dining chair in the high version or a style, at that time modern, "the

Arflex brings back Marius&Marius, the iconic sofa designed by Mario Marenco in the 1970s, symbol of an era when Italian design knew how to combine comfort, irony and originality.

Supplì, designed by Luca Nichetto, is an inviting and elegant armchair; the soft and sinuous curves give off heat and embody a spatial anchoring, almost perfect for rest and relaxation.

Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upho

Nestled on top of tubular metal frames, soft and rounded cushions define the Momo chair and armchair, lending them an expression all of their own and embodying a natural continuation of the unique

The collection is composed by small tables, available with circular or square tops, with a sturdy steel base contrasted with a soft rounded table edge, and by two service small tables, defined by t

Boborelax nasce dalla costola di Bobo e costituisce con questo, un’insolita e curiosa famiglia di arredi essenziali, un esempio di design puro, senza etichetta e senza aggettivi.

Neptunia collection was designed in the 1950s, as a continuous line of Elettra's series, to offer a wide choice to design offices and public spaces.

Follow the flowing, softly-curving lines and surfaces, that describe Brigitte armchairs.  

Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.

Modular system designed around the classical geometry of the arch, employing from the beginning the disciplined use of the arch to create something more organic.

To remain faithful to the principle for self-honesty, the design of this collection unveils its construction method.

Designed in 1968, it awarded the prize Compasso d’Oro and it is displayed in several museums in the world, like for example the Triennale in Milan, in Tokyo, in Moma in New York, and others.

The inherent simplicity of this structural gesture gives a sense of ethereal lightness when paired with the upholstered seat and high back. 

Generous proportions and a friendly, soft, but still very architectural geometry defines the Tokio sofa collection.