What is meant by parasite architecture, where does the term come from, and how has a practice that began as a radical utopia become a concrete strategy for the contemporary city?
Tehunatepec Mexico, 1985 By Alex Webb
After three decades of hanging out, travelling and living together, this photographer couple sorted through their individual artistic output, turned it into couplets, and made it into a book.
Slant Rhymes, the title of this 2017 book, refers to the idea that these photographers’ poetics respond to one another without overlapping. If we sought to identify their individual approach, we might venture that Alex is the master of the long sequence shot, and Rebecca of Impressionism (but then we would also add that both of them work with love, and are adept at going beyond boundaries).
Havana Cuba, 1993 By Alex Webb
Rebecca Norris Webb’s frames – she is a poet too, combining photos and poems in her books and exhibitions – often capture an instant that is of this world yet outside of this world, an impression and a transfiguration that, as for the Impressionists, often has to do with the light or atmospheric effects; Alex’s shots, on the other hand, tend to compose a meaningful whole from multiple scenes and relationships that, unravelled, provide a trigger for a possible story, appearing as a section of a longer time span we are not privy to and yet strive to imagine.
Havana, 2008 By Rebecca Norris Webb
In both cases, colour triumphs: indeed, rarely will you see it as vivid in photographic grain or as extended in a pictorial background.
Summer 2026 in London is all about the Serpentine Pavilion designed by the architectural duo Isabel Abascal and Alessandro Arienzo, known as LANZA atelier. In this interview, they discuss the objectives and rationale behind this prestigious commission