supersalone

In contemporary design, doors and partitions are key architectural elements defining relations, light and privacy, shaping fluid, coherent interiors.

The Softy chair, by Vladislav Tolochko, expresses a sinuous design with soft volumes and slender profiles.

Designed by Serena Confalonieri, Stilla is a wall mirror with a refined, essential aesthetic, available in both circular and hexagonal shapes.

The Velis family, designed by Mario Ferrarini, includes a fully upholstered tub armchair.

Jade by Hanne Willmann interprets the sleeping area through organic shapes. The bed features a wide headboard, rounded profiles, and a fully upholstered, removable structure.

Joker is conceived as a tribute to the organic and sensorial imagery of the Seventies, reinterpreted through a contemporary language that unites memory and vision.

The Hampshire armchair is a cantilever structure transformed into seating.

Gea, from the Greek word for “earth,” explores the relationship between light and matter through a language inspired by geological processes.

The Frame upholstered piece originates from a reflection on structure as the primary principle of design. Its very name is not a decorative reference, but a declarative statement

Fantino rises from a childhood imprint: the memory of a presence at once immense and tender. Two curved forms open behind the body like a quiet embrace.

Core emerges as an expression of the original nucleus of light and architecture, placing the structural heart at the center as a generative and identity-defining principle of space.

The Cigno armchair, designed by Vittorio Varo in the late 1960s, represents one of the most refined expressions of the experimental phase of Italian design during that period.