Carter

Double-sided four-door sideboard with curved sides, wooden structure and shaped polished stainless steel details. Doors and sides in canneté, lacquered, metallized or Soft leather.

Prelude originates from the meeting of architectural gesture and intimate dimension, defining itself as a bed capable of shaping space through a balance between solid mass and soft surface.

Office chair in leather or fabric, featuring a curved multilayer wood shell padded with polyurethane, Memory Foam® and acrylic fiber.

Rift draws inspiration from nature, defining itself as a compact volume marked by an irregular fracture that reveals its luminous core.

The Rochester chair features a compact, enveloping form.

For Salone del Mobile 2026, Marc Ange creates for Visionnaire a trilogy of sculptural objects: forms between the familiar and the unknown, where matter and emotion merge into presences both archite

The Baton Rouge sofa originates from a clear, compact and continuous volumetric gesture.

Low tables in a triptych: two in steel, one in marble. Thick slabs define base, support, and top. Inclined supports create kaleidoscopic reflections. Also usable individually.

Basalt is a kitchen island defined by a compact volume and clean geometries.

Armchair in leather or fabric with a curved plywood structure. Seat with elastic webbing, polyurethane and Memory Foam® for enhanced comfort.

Macrodosing is inspired by the ambiguity of the mushroom — a form that exists between nourishment and intoxication, delicacy and toxicity.

Gea, from the Greek word for “earth,” explores the relationship between light and matter through a language inspired by geological processes.

Joker is conceived as a tribute to the organic and sensorial imagery of the Seventies, reinterpreted through a contemporary language that unites memory and vision.

The Hampshire armchair is a cantilever structure transformed into seating.

The Frame upholstered piece originates from a reflection on structure as the primary principle of design. Its very name is not a decorative reference, but a declarative statement

Fantino rises from a childhood imprint: the memory of a presence at once immense and tender. Two curved forms open behind the body like a quiet embrace.