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The Super lamp - designed by Martine Bedin in 1981 - can be dragged along like a dog on a leash (with an arched back resembling a stegosaurus), embodying the playful spirit of Memphis.

Created by Sottsass in 1981 Tahiti immediately became one of the great Memphis icons, in clear contrast with functionalism.

King’s is a floor lamp in yellow coated metal with a circular glass diffuser, designed by Ettore Sottsass in 1982.

The First chair, composed of a few parts, has been conceived in 1983 by Michele De Lucchi to be easily assembled and replicated: produced in a small series, it reinterprets the perfect combination

A surreal interpretation of the famous bird, Flamingo is a surprising piece that clearly expresses the spirit of Memphis.

The aqua green structure in metal tubing of the chaise longue Century, a reminder of the famous Bauhaus furnishings, has been ironically reinterpreted by Andrea Branzi in a playful but also iconic

Roma, with its massive, solid and chunky form, designed by Marco Zanini in 1986, is an armchair in reinforced fiberglass and polyester with an iridescent finish, available in green or silver.

Roma, with its massive, solid and squared form, created by Marco Zanini in 1986, is an armchair produced in reinforced fiberglass and polyester with an iridescent finish, available in green or blac

A floor lamp in coated metal with a cast iron base, Treetops was designed by Ettore Sottsass in 1981. The lamp is made in colored metal, with a halogen bulb at the end, for adjustable lighting.

Dorian and Ionian are two exquisite small mirrors in painted wood and designed by Michele De Lucchi in 1985; in both, the mirror is mounted on a hinge that allows it to rotate as needed or desired.

Created in lacquered wood by George J.

Diva, the mirror designed by Ettore Sottsass in 1984, undoubtedly captures the attention of the person reflected, demanding active participation: in a narcissistic way, the viewer becomes part of t

Dorian and Ionian are two exquisite small mirrors in painted wood and designed by Michele De Lucchi in 1985; in both, the mirror is mounted on a hinge that allows it to rotate as needed or desired.

A surprising combination of metal and wood is seen in Hyatt, the iconic low table created by Ettore Sottsass in 1984.

A low serving table created in 1983 by Shiro Kuramata, Nara's structure is ironically contrasted by the texture of colored patches typical of terrazzo, a composite of cement and colored glass chose

Designed by Luigi Serafini in the early 1980s, when Memphis began, Sheraton is a large mirror that stands on two black metal legs, resting on large circular bases.