Ionian

Designed by Luigi Serafini in the early 1980s, when Memphis began, Sheraton is a large mirror that stands on two black metal legs, resting on large circular bases.

A wall lamp in wood covered with decorative laminate and designed by Martine Bedin in 1981, Negresco is composed of layers of different materials that alternate the colors pink, yellow, pistachio g

A floor lamp in coated metal with a cast iron base, Treetops was designed by Ettore Sottsass in 1981. The lamp is made in colored metal, with a halogen bulb at the end, for adjustable lighting.

The absolute Memphis masterpiece, Carlton – designed by Ettore Sottsass in 1981 – fully represents the programmatic intentions of the group: the desire to break the rules of good design with an irr

Cucumber is an eccentric ceramic vase designed by Martine Bedin in 1985.

Nathalie Du Pasquier focuses on contrasting colors for Carrot, a cylindrical handpainted blue ceramic vase with two bands relying on decorative decals, sublimated in the kiln.

Roma, with its massive, solid and chunky form, designed by Marco Zanini in 1986, is an armchair in reinforced fiberglass and polyester with an iridescent finish, available in green or silver.

A surreal interpretation of the famous bird, Flamingo is a surprising piece that clearly expresses the spirit of Memphis.

Roma, with its massive, solid and squared form, created by Marco Zanini in 1986, is an armchair produced in reinforced fiberglass and polyester with an iridescent finish, available in green or blac

Dorian and Ionian are two exquisite small mirrors in painted wood and designed by Michele De Lucchi in 1985; in both, the mirror is mounted on a hinge that allows it to rotate as needed or desired.

King’s is a floor lamp in yellow coated metal with a circular glass diffuser, designed by Ettore Sottsass in 1982.

Created by Sottsass in 1981 Tahiti immediately became one of the great Memphis icons, in clear contrast with functionalism.

A low serving table created in 1983 by Shiro Kuramata, Nara's structure is ironically contrasted by the texture of colored patches typical of terrazzo, a composite of cement and colored glass chose

The Westside series by Ettore Sottsass is composed of a sofa and an armchair, “geometric” items supported by four heavy rectangular “feet” in lacquered steel; the upholstery is in coloured fabric.

Venezia is a table designed by Ettore Sottsass for the house he shared with his life companion, Barbara Radice.

A surprising combination of metal and wood is seen in Hyatt, the iconic low table created by Ettore Sottsass in 1984.