Tahiti

Venezia is a table designed by Ettore Sottsass for the house he shared with his life companion, Barbara Radice.

A wall lamp in wood covered with decorative laminate and designed by Martine Bedin in 1981, Negresco is composed of layers of different materials that alternate the colors pink, yellow, pistachio g

King’s is a floor lamp in yellow coated metal with a circular glass diffuser, designed by Ettore Sottsass in 1982.

Created in lacquered wood by George J.

Cucumber is an eccentric ceramic vase designed by Martine Bedin in 1985.

A surprising combination of metal and wood is seen in Hyatt, the iconic low table created by Ettore Sottsass in 1984.

The aqua green structure in metal tubing of the chaise longue Century, a reminder of the famous Bauhaus furnishings, has been ironically reinterpreted by Andrea Branzi in a playful but also iconic

A surreal interpretation of the famous bird, Flamingo is a surprising piece that clearly expresses the spirit of Memphis.

The First chair, composed of a few parts, has been conceived in 1983 by Michele De Lucchi to be easily assembled and replicated: produced in a small series, it reinterprets the perfect combination

Dorian and Ionian are two exquisite small mirrors in painted wood and designed by Michele De Lucchi in 1985; in both, the mirror is mounted on a hinge that allows it to rotate as needed or desired.

Designed by Luigi Serafini in the early 1980s, when Memphis began, Sheraton is a large mirror that stands on two black metal legs, resting on large circular bases.

A low serving table created in 1983 by Shiro Kuramata, Nara's structure is ironically contrasted by the texture of colored patches typical of terrazzo, a composite of cement and colored glass chose

The absolute Memphis masterpiece, Carlton – designed by Ettore Sottsass in 1981 – fully represents the programmatic intentions of the group: the desire to break the rules of good design with an irr

Diva, the mirror designed by Ettore Sottsass in 1984, undoubtedly captures the attention of the person reflected, demanding active participation: in a narcissistic way, the viewer becomes part of t

The Westside series by Ettore Sottsass is composed of a sofa and an armchair, “geometric” items supported by four heavy rectangular “feet” in lacquered steel; the upholstery is in coloured fabric.

The Super lamp - designed by Martine Bedin in 1981 - can be dragged along like a dog on a leash (with an arched back resembling a stegosaurus), embodying the playful spirit of Memphis.