Westside
Category: Sofas and armchairs
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Westside di Ettore Sottsass (1983), ©Memphis
The Westside series by Ettore Sottsass is composed of a sofa and an armchair, “geometric” items supported by four heavy rectangular “feet” in lacquered steel; the upholstery is in coloured fabric. The bright colors underline the well-defined forms.
A wall lamp in wood covered with decorative laminate and designed by Martine Bedin in 1981, Negresco is composed of layers of different materials that alternate the colors pink, yellow, pistachio g
Nathalie Du Pasquier focuses on contrasting colors for Carrot, a cylindrical handpainted blue ceramic vase with two bands relying on decorative decals, sublimated in the kiln.
A surreal interpretation of the famous bird, Flamingo is a surprising piece that clearly expresses the spirit of Memphis.
Dorian and Ionian are two exquisite small mirrors in painted wood and designed by Michele De Lucchi in 1985; in both, the mirror is mounted on a hinge that allows it to rotate as needed or desired.
Roma, with its massive, solid and squared form, created by Marco Zanini in 1986, is an armchair produced in reinforced fiberglass and polyester with an iridescent finish, available in green or blac
Roma, with its massive, solid and chunky form, designed by Marco Zanini in 1986, is an armchair in reinforced fiberglass and polyester with an iridescent finish, available in green or silver.
A floor lamp in coated metal with a cast iron base, Treetops was designed by Ettore Sottsass in 1981. The lamp is made in colored metal, with a halogen bulb at the end, for adjustable lighting.
The Super lamp - designed by Martine Bedin in 1981 - can be dragged along like a dog on a leash (with an arched back resembling a stegosaurus), embodying the playful spirit of Memphis.
Venezia is a table designed by Ettore Sottsass for the house he shared with his life companion, Barbara Radice.
Diva, the mirror designed by Ettore Sottsass in 1984, undoubtedly captures the attention of the person reflected, demanding active participation: in a narcissistic way, the viewer becomes part of t
A low serving table created in 1983 by Shiro Kuramata, Nara's structure is ironically contrasted by the texture of colored patches typical of terrazzo, a composite of cement and colored glass chose
Created by Sottsass in 1981 Tahiti immediately became one of the great Memphis icons, in clear contrast with functionalism.
