Palace
Category: Seating
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Palace by George J. Sowden (1983), ©Memphis
Created in lacquered wood by George J. Sowden in 1983, Palace reinterprets the rationalist forms of design, referencing the clean lines of Bauhaus while highlighting the structural members with color.
Created by Sottsass in 1981 Tahiti immediately became one of the great Memphis icons, in clear contrast with functionalism.
The aqua green structure in metal tubing of the chaise longue Century, a reminder of the famous Bauhaus furnishings, has been ironically reinterpreted by Andrea Branzi in a playful but also iconic
Nathalie Du Pasquier focuses on contrasting colors for Carrot, a cylindrical handpainted blue ceramic vase with two bands relying on decorative decals, sublimated in the kiln.
A surreal interpretation of the famous bird, Flamingo is a surprising piece that clearly expresses the spirit of Memphis.
A low serving table created in 1983 by Shiro Kuramata, Nara's structure is ironically contrasted by the texture of colored patches typical of terrazzo, a composite of cement and colored glass chose
A surprising combination of metal and wood is seen in Hyatt, the iconic low table created by Ettore Sottsass in 1984.
Roma, with its massive, solid and chunky form, designed by Marco Zanini in 1986, is an armchair in reinforced fiberglass and polyester with an iridescent finish, available in green or silver.
A wall lamp in wood covered with decorative laminate and designed by Martine Bedin in 1981, Negresco is composed of layers of different materials that alternate the colors pink, yellow, pistachio g
King’s is a floor lamp in yellow coated metal with a circular glass diffuser, designed by Ettore Sottsass in 1982.
Diva, the mirror designed by Ettore Sottsass in 1984, undoubtedly captures the attention of the person reflected, demanding active participation: in a narcissistic way, the viewer becomes part of t
The First chair, composed of a few parts, has been conceived in 1983 by Michele De Lucchi to be easily assembled and replicated: produced in a small series, it reinterprets the perfect combination
The absolute Memphis masterpiece, Carlton – designed by Ettore Sottsass in 1981 – fully represents the programmatic intentions of the group: the desire to break the rules of good design with an irr
Designed by Luigi Serafini in the early 1980s, when Memphis began, Sheraton is a large mirror that stands on two black metal legs, resting on large circular bases.
