Palace

Invented in 1982 by Peter Shire, Bel Air has an asymmetrical profile and vibrant color combinations.

A project by Michele De Lucchi for Memphis in 1984, the small table Polar reflects the distinctive features of Memphis design.

Casablanca, designed in 1981 by Ettore Sottsass is a hybrid between a wardrobe and a bookcase, made in wood and decorative laminate with an unusual form.

The quality of the craftsmanship, together with the bright colors and extravagant forms, are the distinctive features of Arizona, designed by Nathalie du Pasquier in 1983.

The absolute Memphis icon, Carlton – designed by Ettore Sottsass in 1981 – fully represents the programmatic intentions of the group: the desire to break the rules of good design with an irreverent

With a yellow dominant and contrasting colors, the Cavalieri lamp designed in 1981 by Ettore Sottsass stands out for its emphatic image based on the stacking of simple geometric forms. 

Bay, designed by Ettore Sottsass in 1983, concretely sums up the Memphis philosophy: it is bold, iconic and elegant.

Created by Sottsass in 1981 Tahiti immediately became one of the great Memphis icons, in clear contrast with functionalism.

Designed by Ettore Sottsass in 1984, Mimosa is a low wooden table faced in decorative laminate, where colored blocks intersect in a perpendicular arrangement to form a “giant” colored cubical playt

Designed in 1981 by Michele De Lucchi, Kristall is an eccentric service table in lacquered wood, clad in decorative laminate with parts in coated metal.

Diva, the mirror designed by Ettore Sottsass in 1984, undoubtedly captures the attention of the person reflected, demanding active participation: in a narcissistic way, the viewer becomes part of t

A low serving table created in 1983 by Shiro Kuramata, Nara's structure is ironically contrasted by the texture of colored patches typical of terrazzo, a composite of cement and colored glass chose

The Super lamp - designed by Martine Bedin in 1981 - can be dragged along like a dog on a leash (with an arched back resembling a stegosaurus), embodying the playful spirit of Memphis.

Who says the legs of a table have to all be equal? Certainly not Peter Shire, who created Brazil in 1981, in the early days of the Memphis group.

A surprising combination of metal and wood is seen in Hyatt, the iconic low table created by Ettore Sottsass in 1984.