Cucumber

Dorian and Ionian are two exquisite small mirrors in painted wood and designed by Michele De Lucchi in 1985; in both, the mirror is mounted on a hinge that allows it to rotate as needed or desired.

A low serving table created in 1983 by Shiro Kuramata, Nara's structure is ironically contrasted by the texture of colored patches typical of terrazzo, a composite of cement and colored glass chose

Roma, with its massive, solid and squared form, created by Marco Zanini in 1986, is an armchair produced in reinforced fiberglass and polyester with an iridescent finish, available in green or blac

King’s is a floor lamp in yellow coated metal with a circular glass diffuser, designed by Ettore Sottsass in 1982.

A surprising combination of metal and wood is seen in Hyatt, the iconic low table created by Ettore Sottsass in 1984.

A floor lamp in coated metal with a cast iron base, Treetops was designed by Ettore Sottsass in 1981. The lamp is made in colored metal, with a halogen bulb at the end, for adjustable lighting.

The Super lamp - designed by Martine Bedin in 1981 - can be dragged along like a dog on a leash (with an arched back resembling a stegosaurus), embodying the playful spirit of Memphis.

Created in lacquered wood by George J.

A surreal interpretation of the famous bird, Flamingo is a surprising piece that clearly expresses the spirit of Memphis.

Venezia is a table designed by Ettore Sottsass for the house he shared with his life companion, Barbara Radice.

The aqua green structure in metal tubing of the chaise longue Century, a reminder of the famous Bauhaus furnishings, has been ironically reinterpreted by Andrea Branzi in a playful but also iconic

Nathalie Du Pasquier focuses on contrasting colors for Carrot, a cylindrical handpainted blue ceramic vase with two bands relying on decorative decals, sublimated in the kiln.

Roma, with its massive, solid and chunky form, designed by Marco Zanini in 1986, is an armchair in reinforced fiberglass and polyester with an iridescent finish, available in green or silver.

The First chair, composed of a few parts, has been conceived in 1983 by Michele De Lucchi to be easily assembled and replicated: produced in a small series, it reinterprets the perfect combination

The absolute Memphis masterpiece, Carlton – designed by Ettore Sottsass in 1981 – fully represents the programmatic intentions of the group: the desire to break the rules of good design with an irr

Dorian and Ionian are two exquisite small mirrors in painted wood and designed by Michele De Lucchi in 1985; in both, the mirror is mounted on a hinge that allows it to rotate as needed or desired.