supersalone

Giovanni Comin

(Treviso c. 1647 – Venice 1695)

Putto with Skull and Book (Allegory of Vanity)

Carrara marble, 80 cm

Capital with stylized dolphin motifs

Istrian stone, 40 (h) × 36 x 36 cm

Veneto, early 16th century

Coade Manufacture

(London Manufacturing active between 1769-1840)

Couple of helmets

Coade stone, 

(artificial stone or lithodipyra)

A high-tech kitchen, with significant volumes that provide a wide compositional possibility.

Triregno Papale

Travertino, 70 x 60 cm 

Roma, seconda metà del XVII secolo

Carlo Scarpa

(Venice, 1906 – Sendai, Japan, 1978)

La Crescita IV

Rhombus-shaped structure in milled steel, gilded elements, polygonal cylindrical base in steel

Attilio Selva

(Trieste, 1888 – 1970)

Enigma 

Bronze, 66 (h) x 46 x 33 cm

Pair of Renaissance hexagonal columns

 Marble, 141,5 (h) x 13,5 (ø) cm

Tuscany, last quarter of the 15th century.

Homan is the new sofa system designed by Matteo Thun & Antonio Rodriguez, which invites you to enjoy informal comfort by creating a casual atmosphere.

The coffee tables are distinguished by their rounded, harmonious shapes, which add a touch of fluidity and lightness to the space.

Challenging the conventional perception of mirrors, the BROKEN MIRROR by Gufram and Snarkitecture is a mesmerizing work of art, combining a reflective surface with a soft polyurethane frame to crea

MANO by Cinzia Ruggeri: an open hand standing on itself, to be interpreted as an intimidation to stop, an informal salute; or, if placed horizontally, as a tentacular chair.