ABBRACCIAIO

“Light is a thing that cannot be reproduced but must be represented by something else – by colour,” as Paul Cézanne said.

Goodnight revisits the candle in its primordial form and transforms it into a highly technological object.

A series of rectangular two-dimensional wall mirrors which bring to mind milled crystal frames.

Round mirror with a transparent or coloured frame, with a unique pleated effect.

It's against this backdrop that the company has unveiled the final version of Re-Chair, designed by Antonio Citterio and made from recycled materials.

A.I.

The modular elements were designed to meet different needs and to fit perfectly into every room in the home.  Componibili first appeared in 1967 and have become a timeless furnishing classic.

A.I. is the chair created for the first time ever using 100% recycled material, in which aesthetics and structural requirements remain unaltered, blending seamlessly with generative design.

The Masters chair is a clear tribute to three symbol-chairs, reworked and reinterpreted by Starck’s creative genius.

Conceived by the insight of Philippe Starck and made possible by Kartell’s advanced technology, the Wood family is growing. Viscount of Wood tables are the latest addition.

Sparkle, available in two versions, can be used as a stool or side table. The particular pleating of the material enhances the line and transforms it into a precious accessory.

“Why Geen-a? There were many reasons why I ended up designing this lamp, but it’s possible to summarise them all under the simple banner of ‘the pleasure of reading’.

The mini and rechargeable version of the Planet lamp is introduced in the lighting collection, characterized by the slightly ovoid shape of the diffuser characterized by a faceted surface both insi

Stone is a stool with a shape which is reminiscent of an hourglass, its surface is simply extraordinary: it is irregular and comprised of a myriad of geometrical facets which reflect the light and

Pumo is a brand-new multi-purpose container that recalls the shapes of the traditional Apulian object of good omen, now revised for Kartell with a multi-faceted lid, also ideal as a centrepiece