D’Urso Low Table

In his first commercial collaboration with Knoll, Muecke applies the principles of his art practice to create an all-wood dining collection with the familiarity of a kitchen table and chairs.

Panoramic collection is completed by a low table with a circular top moulded in concrete.The collaboration with Piero Lissoni continues with a holistic and sartorial approach where tradition and co

The Barcelona® Chair, created for the German Pavilion at the Barcelona World Exposition, is one of the most recognised objects of the last century, and an icon of the modern movement.

Lissoni has decided to focus on outdoor furniture, creating an unprecedented outdoor collection that reflects his elegant style. 

A triumph of art and technology, the Pedestal Collection combines Saarinen's more sculptural approach ("After all, Eero was first and foremost

Celebrated minimalist and internationally renowned interior designer Joseph D’Urso first translated his signature aesthetic to furniture for Knoll in 1980.

Lissoni has decided to focus on outdoor furniture, creating an unprecedented outdoor collection that reflects his elegant style. 

Lissoni has decided to focus on outdoor furniture, creating an unprecedented outdoor collection that reflects his elegant style.

A new multifunctional sofa with fluid lines, ready to change in relation to the space in which it is inserted, but always with the same comfort and elegance.

In his first commercial collaboration with Knoll, Muecke applies the principles of his art practice to create an all-wood dining collection with the familiarity of a kitchen table and chairs. 

Like a plush cloud floating above a piece of sculpture, the Perron Bun Lounge Chair erases the distinctions between lounge chair, sofa, and bed. 

A triumph of art and technology, the Pedestal Collection combines Saarinen's more sculptural approach ("After all, Eero was first and foremost

Warmed through colour and texture, the Florence Knoll Lounge Collection is a scaled-down translation of the rhythm and proportions of mid-century modern architecture.

A modular system of storage units and credenzas with essential and rigorous lines combines the material essence of a wooden structure with marble tops, allowing multiple usage scenarios.

Capturing the spirit of their work, Biboni relates to the human body in the same manner as their architecture, shaping space into volumes, voids, and curves.

The “Richard Schultz 1966 Collection” was the first contemporary outdoor collection that immediately became a classic and is now available with a dark red frame contrasting with the white of the me