D’Urso Occasional Table

In 1966, architect and designer Warren Platner transformed steel wire into sculptural furniture by welding hundreds of vertical steel rods to circular frames.

Like a plush cloud floating above a piece of sculpture, the Perron Bun Lounge Chair erases the distinctions between lounge chair, sofa, and bed. 

Capturing the spirit of their work, Biboni relates to the human body in the same manner as their architecture, shaping space into volumes, voids, and curves.

Warmed through colour and texture, the Florence Knoll Lounge Collection is a scaled-down translation of the rhythm and proportions of mid-century modern architecture.

A modular system of storage units and credenzas with essential and rigorous lines combines the material essence of a wooden structure with marble tops, allowing multiple usage scenarios.

Hallmarks of the D’Urso collection are the simple lines that combines streamlined proportions and industrial materials. 

The “Richard Schultz 1966 Collection” was the first contemporary outdoor collection that immediately became a classic and is now available with a dark red frame contrasting with the white of the me

Matic, an innovative system of sofa components created by Piero Lissoni and conceived as a platform suspended in space, somewhere between an island and a work of a

Lissoni has decided to focus on outdoor furniture, creating an unprecedented outdoor collection that reflects his elegant style. 

The Barcelona® Chair, created for the German Pavilion at the Barcelona World Exposition, is one of the most recognised objects of the last century, and an icon of the modern movement.

A new multifunctional sofa with fluid lines, ready to change in relation to the space in which it is inserted, but always with the same comfort and elegance.

Charles Pfister designed a sofa collection in 1971 with solid proportions that make it a cornerstone of the company, an example of timeless craftsmanship and design.

Saarinen's furniture for Knoll includes the famous and revolutionary collection of pedestal-based tables and chairs from 1957. An archival height has been reissued in the round version. 

A collection that represents the expression of a contemporary language, with clear references to the Knoll tradition of classic design.

A triumph of art and technology, the Pedestal Collection combines Saarinen's more sculptural approach ("After all, Eero was first and foremost

In his first commercial collaboration with Knoll, Muecke applies the principles of his art practice to create an all-wood dining collection with the familiarity of a kitchen table and chairs.