SCULPTED MIRROR
Category: Accessories
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SCULPTED MIRROR by Snarkitecture (2025), ©Gufram
A lake seen from above, a snow-covered crater, a soft crack in the rock, the flickering silhouette of a flame: SCULPTED MIRROR, designed by Snarkitecture, is an irrational and irregular figure achieved thanks to the careful use of Guflac®.
SCULPTED MIRROR by Snarkitecture (2025), ©Gufram
SCULPTED MIRROR by Snarkitecture (2025), ©Gufram
Similar to the 1971 PRATONE® by Ceretti, Derossi and Rosso, the new PRATONE® Infinito has novel features: it is not limited edition and is produced in series, without sacrificing the brilliance and
PUFFO, originally designed in 1970 by Ceretti, Derossi and Rosso, is inspired by the famous traffic-blocking "panettone" typical of Milanese urban planning.
The CAPITELLO lounge chair, ATTICA armchair, and ATTICA TL coffee table by Studio 65 are designed by “deconstructing” a traditional Grecian column.
STEAM TABLE is a small table that challenges traditional concepts of perception and proportion.
From the historic PRATONE® to the emblematic CACTUS® to the sultry BOCCA® and the memorable MAgriTTA and CAPITELLO, Guframini offers aficionados a chance to own a slice of Italian design history in
From the historic PRATONE® to the emblematic CACTUS®, from the sultry BOCCA® and the memorable CAPITELLO to the mysterious BROKEN MIRROR, Guframini offers aficionados a chance to own a slice of Ita
Designed by Guido Drocco and Franco Mello in 1972, CACTUS® has revolutionized domestic landscapes and creative interiors alike.
BORING CACTUS® has entered Gufram’s family on a cold, monotonous office day. The brilliance of Drocco and Mello’s original creation now transforms into a grey hue with a matte finish.
Experience the infinite allure of BOCCA® Unlimited, the latest interpretation of the legendary BOCCA® by Studio 65.
MANO by Cinzia Ruggeri: an open hand standing on itself, to be interpreted as an intimidation to stop, an informal salute; or, if placed horizontally, as a tentacular chair.
Designed in 1968 by Piero Gilardi, SASSI introduce elements of the great outdoors into living space in the form of remarkably realistic “stones” of varying sizes.
