RUKA HIGH STOOL

Geometric and basic lines delineate the design of Silvanus, a contemporary bench supported by a double crosspiece designed as an asymmetrical “Y”.

Glade dining chair is inspired by the geometric lines and essential characteristics of some chairs from the fifties.

The Ferne table collection materializes its style in the imposing and refined legs made of solid wood which supports the surface and it is available in different versions and woods. In this decorat

5seater fully upholstered sofa, covered with fabric. Stained oak tips.

Among the new chairs we also find Toula, a dining chair that recalls the traditional style elements of alpine decor.

The Martinica chair, designed by Leonardo Dainelli of Dainelli Studio, is characterized by enveloping shapes that capture the gaze.

Within the lines of the (W)hole commode, covered in mahogany feather band we can find the delicate and harmonious style of Louis XV so that the tradition if confirmed once more in an undeniable sou

The Potters high container unit, designed by Fratelli Boffi is a storage unit with a squared off shape composed of a case in coal stained ash supported by a square tubular metal base with a burnish

The pair of coffee tables made of solid cedar wood is characterized by a discreet aesthetic and a personal versatility.

The distinctive trait of the Back to Back project – sofa designed by Nigel Coates – lies in the alternating of an elegant style and an innovative design.

The Archway table, designed by the Argentine designer Cristián Mohaded, is characterized by clean lines and harmonious shapes, a monumental presence enhanced by the quality of materials but refresh

Ferne tables collection concretizes its style in the turned base made of solid wood, that supports the square or round top.

The Bulle small sofa is made of solid stained oak wood and characterized by soft lines, a timeless aesthetic profile and details in dark bronzed metal as accessories to cover the legs.

The Bulle armchair, designed by Archer & Humphryes, is made of solid stained oak wood.

For the collection, D/Vision, Ferruccio Laviani implements a process of decomposition and separation, on different levels.