Babà

Frisée is a collection that combines the solidity of wood with an ironic and joyful frivolity.

Stack is a collection of colourful blown glass tables. They are designed by Niccolò Devetag.

 Soft lines and simple geometry describe the contours of the Veretta chair, characterized by the feature ring in curved solid beechwood that surrounds the seat and houses the backrest.

In the Fleuron chair and lounge chair by Constance Guisset the rationality of the design, based on the idea of a buttress that reinforces a wall, meets the softness of a curved line.

A soft, round and curving shape, that combines a contemporary design with a reassuring Mediterranean memory.

The wooden Doll chair, Emilio Nanni’s first commissioned design for Billiani, expresses essentiality with grace and softness.

The Cristina Celestino designed Raquette collection pays homage to the ancient technique of intertwining wooden slats.

Archetype-A is a wooden chair designed by Mario Alessiani that celebrates the company’s origins and know-how. The design is as simple as possible. Nothing more than four legs, a seat and a back.

Flow is a short compendium of the history of the chair – a perfect combination of Italian tradition and the Scandinavian aesthetic of the 1950s and 1960s.

Timènt is Billiani's first fabric collection.

Fratina is inspired by those classic chairs with rush seats.

A solid and reassuring chair with a back that embraces, ending with two decisive cuts inspired by the points of a star. 

Spy is an extensive and complete collection of chairs, lounge chairs, armchairs, tables and coffee tables. Its leitmotif is the design of the leg, which tapers and is slightly splayed.

The Corolla tables maintain the soft and harmonious lines of the main Corolla seating collection.

In the Fleuron chair by Constance Guisset the rationality of the design, based on the idea of a buttress that reinforces a wall, meets the softness of a curved line.

Cristina Celestino designs a lounge collection with soft and harmonious shapes. The rounded volumes are lightened by the worked wood base, Billiani’s stylistic code.