Matters of form

header-©danielemari

Ph. credits Daniele Mari

Circles and squares, spheres and cylinders, complex objects that draw on equally complicated mathematical models … design and geometry have always gone hand in hand and they continue to be an incredibly rock-solid combination.

As well as being one of the basic subjects in school syllabuses and a crucial tool for designers, geometry has been a common thread throughout design history. Take, for example, the Bauhaus research into essential geometrical shapes, Le Corbusier’s Modulor, based on the golden ratio, or Munari’s Cubo ashtray, a Platonic solid in which essentiality is the hallmark. Lines, flat and solid  figures still continue to fascinate designers to quite an extent, and one comes across numerous examples of products designed according to precise mathematical proportions or inspired by pure shapes such as squares, triangles and circles while wandering among the  “supersalone” stands.

Moroso (Pav 04, Stand A 02) is exhibiting Secret Cubic Shelves, a project by Olafur Eliasson, spawned by the multifaceted (it has to be said) Danish artist’s lengthy research into geometry, the Green Light - An artistic workshop installation in particular, presented at the 2017 Venice Biennale. At the time, Eliasson had set up and run a sort of collective fablab that produced a series of luminous sculptures that drew on a module created by the mathematician Einar Thorsteinn, based on the golden triangle. The negative rhomboid shape delineated by these modules forms the core of the design for the Secret Cubic Shelves bookcase, made of recycled and recyclable iron and with a series of measures designed to minimise environmental impact.

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Moroso, Courtesy Salone del Mobile.Milano. Ph credit Diego Ravier

The Sangaku table designed by Elena Salmistraro for Driade (Pav 04, Stand J 02) was inspired by the Japanese traditional “sangaku” – geometrical problems carved into wooden tablets that usually illustrate problems involving circles and ellipses inscribed inside each other. The starting point is therefore an imaginary circumference with a 50-centimetre radius, in which the Milanese designer has inscribed four circular glass tops decorated with digital printing and painted steel, all interconnected by invisible yet perceptible geometrical ratios.

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Driade. Ph credit Francesco Mainardi

The stand of the Bosnian brand Zanat (Pav 04, Stand J 07) is showcasing the first result of its collaboration with Michele De Lucchi sparked by a common interest in wood and artisan processes. Dom is a circular plate/sculpture with hand-carved inlays and is the first object produced by the company that serves no utilitarian purpose.

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Zanat, Courtesy Salone del Mobile.Milano. Ph credit Diego Ravier

The small, burnished metal and solid ash Quartetto glass-topped tables designed Ilenia Viscardi for Flou (Pav 02, Stand SD 23) also reference the circle, however the complete figure can only be obtained by putting together all four identical quarter-circle components, just one of the potential configurations. 

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Flou, Courtesy Salone del Mobile.Milano. Ph credit Diego Ravier

The products Bonaldo (Pav 02, Stand I 23) has brought to the fair, all in deep shades of green, include Circus table by Fabrice Berrux, presented in a special “all green” custom-made version for “supersalone.” It was inspired by space and the stars, while the round top, sitting on the large sphere that makes up the base, seems to defy the laws of physics.

Bonaldo

Bonaldo, Courtesy Salone del Mobile.Milano. Ph credit Diego Ravier

Again, within the context of solids, the most salient visual element of the Hide&Seek lacquered wood cabinet designed by Pietro Russo for Gallotti&Radice (Pav 02, Stand D 14) is the cylinder. The designer, who hails from Apulia, studied Scenography at the Fine Arts Academy in Florence, and has a solid background in art, has devised a sort of reduced-scale piece of architecture that is extremely impactful. The structure is made up of a series of horizontal shelves and double-sided half cylinders.

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Gallotti & Radice, Courtesy Salone del Mobile.Milano. Ph credit Diego Ravier

Appaiono come dei mezzi cilindri, per lo meno se visti di fronte, anche i dieci cassetti del cabinet Storet, disegnato da Nanda Vigo nel 1994 e rilanciato sul mercato da Acerbis (Pad 02, Stand D 26). Gli art director dell’azienda bergamasca, i designer Francesco Meda e David Lopez Quincoces, l’hanno scovata nell’archivio e, colpiti dalla sua modernità, hanno deciso di rieditarla insieme al comodino - simile ma più basso, con quattro cassetti - che non era mai entrato in produzione ed è quindi una novità

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Acerbis. Ph credit Daniele Mariù

Seen from the front, the ten drawers in the Storet cabinet designed by Nanda Vigo in 1994 and relaunched on the market by Acerbis (Pav 02, Stand D 26) look like half cylinders. The art directors of the Bergamo-based brand, designers Francesco Meda and David Lopez Quincoces, discovered it in the archives, and struck by its modernity, decided to re-edit it, along with the bedside table – similar but lower, with four drawers – that never went into production and is therefore entirely new.

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Natuzzi Italia, Courtesy Salone del Mobile.Milano. Ph credit Diego Ravier

The line, however, provides the main motif for the Koki Wire family of chairs from Desalto (Pav 02, Stand F 23), an evolution of the Koki series but largely designed for outdoor use. The backrest and the seat, which in the previous product were full, give way to series of parallel functional drawn steel lines, manufactured so as to be as thin as possible.

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Desalto, Courtesy Salone del Mobile.Milano. Ph credit Diego Ravier

14 September 2021