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Mattiazzi

Immagine principale Mattiazzi

Wood furniture produced with the heart, mind and soul since 1979.

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"For the past 45 years, Mattiazzi has taken great care to responsibly source wood and sustainably create furniture with the post thoughtful designers.

 

Dedication to reducing our carbon footprint is longstanding, as is our pledge to respect the environment in evetything we do." 

In 1979, brothers Nevio and Fabiano Mattiazzi founded a wood workshop barring their family name and specializing in the production of top-quality wooden chairs. 

All Mattiazzi products are produced with great environmental sensibility and enjoy a minimal environmental footprint. On the roofs of the production halls there is an advanced solar farm, supplying all machines and production needs with in-house solar energy. Adding to the environmental efficiency and healthy logic, all wood rests are used in the winter to heat up the factory. 

Mattiazzi is passionate about wood and delivers exceptional craftsmanship bringing in mind other times and standards. Giving a rare quality promise and trusting high-quality products the company forms carefully it’s growing collection. 

 

"At Mattiazzi, we make the joy of living with wood accessible and by working with designers respected around the world, we’re able to provide a collection that compliments a wide variety of spaces and a range of different work styles."

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Lambl & Homburger

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OTO: The Making Of

CUGINO: The Making Of

SOLO: The Making Of

BRAND SELECTION
OUR PRODUCTS
Clerici Mattiazzi

Mattiazzi

MC10 - Clerici

CLERICI, Konstantin Grcic's second collection for Mattiazzi, radiates devout serenity. The main concept and the fascination of CLERICI lie in the grand simplicity of the design.

MC25 PAF PAF - CHAIR

Mattiazzi

MC25 - PAF PAF

"The sustainable approach was to separate the materials and specify the components: wood, recycled feathers and fabric. Then I asked myself what comfort was, a backrest and a seat to sink into.

Mattiazzi - MC23 - OTO Medium Console

Mattiazzi

MC23 - OTO

Studio OE aimed to create a mobile extension of architecture that would seamlessly blend into the living space and that invites to define its use according to individual needs.

She Said Mattiazzi

Mattiazzi

MC1 HE SAID/SHE SAID

The smooth geometry that joins the backrest, armrests and legs is the formal language of injection—molded plastic, and it’s surprising to see in wood.

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Mattiazzi

MC24 - SETA

Designed by Foster + Partners in collaboration with the Italian manufacturer Mattiazzi, the chair brings together an honesty of materiality with a deep understanding of CNC technology to create a u

Forcina Mattiazzi

Mattiazzi

MC16 - Forcina

The collection Forcina by Leon Ransmeier comprises a chair, an armchair, and a stool with a steel frame, a wooden seat, and a backrest. The collection is rounded off with a table.

Solo Mattiazzi

Mattiazzi

MC5 SOLO

This robust yet simple and refined furniture family was thought to be used in cafès and restaurants, which is why it offers great flexibility - both in use and in the variations proposed.

Facile Mattiazzi

Mattiazzi

MC13 - Facile

The design for the FACILE came about as a result of our quest to build a bridge between the product ranges in the Mattiazzi collection.

MATTIAZZI_MC26 PIPAIO

Mattiazzi

MC26 - PIPAIO

"The expression of craftsmanship here lies in the careful execution, the choice of wood, the finish, the perfection.

Filo Mattiazzi

Mattiazzi

MC22 - Filo

"If you see it from the side, you could say that the frame is almost typographic, like a letter. The lines offabric cord are also very graphic; yet these lines distort as the body sits down.

Medici Mattiazzi

Mattiazzi

MC4 MEDICI

MEDICI is conceived as a low chair with a comfortably reclined posture. Its generous dimension gives the chair an embracing confidence.

Zampa Mattiazzi

Mattiazzi

MC18 - Zampa

"Design is an unpredictable process. While designing the Zampa stools I never imagined we would add a chair and an armchair to the family.

Branca Mattiazzi

Mattiazzi

MC2 BRANCA

I observed that the power of the robot, the repetition of the machine and the skills of the craftsmen already have synchronised relationships at Mattiazzi, where each process is as carefully select