MC20 - Cugino

"The expression of craftsmanship here lies in the careful execution, the choice of wood, the finish, the perfection.

The gently carved wooden pieces are held in place by bent metal rods - while wood remains the main actor, the metal parts play a fundamental role in the construction.

This robust yet simple and refined furniture family was thought to be used in cafès and restaurants, which is why it offers great flexibility - both in use and in the variations proposed.

CLERICI, Konstantin Grcic's second collection for Mattiazzi, radiates devout serenity. The main concept and the fascination of CLERICI lie in the grand simplicity of the design.

I observed that the power of the robot, the repetition of the machine and the skills of the craftsmen already have synchronised relationships at Mattiazzi, where each process is as carefully select

"Design is an unpredictable process. While designing the Zampa stools I never imagined we would add a chair and an armchair to the family.

Primo epitomizes the archetypal chair. Its design comprises of only the most basic elements —four legs, seat and backrest—.

DOPO is the second collection designed by Studio OE for Mattiazzi.

Studio OE aimed to create a mobile extension of architecture that would seamlessly blend into the living space and that invites to define its use according to individual needs.

"The sustainable approach was to separate the materials and specify the components: wood, recycled feathers and fabric. Then I asked myself what comfort was, a backrest and a seat to sink into.

<<As with many words, CHIARO has several definitions: clear, bright, and straightforward.>> Leon Ransmeier

"If you see it from the side, you could say that the frame is almost typographic, like a letter. The lines offabric cord are also very graphic; yet these lines distort as the body sits down.

MC19 Fronda by Sam Hecht & Kim Colin

The smooth geometry that joins the backrest, armrests and legs is the formal language of injection—molded plastic, and it’s surprising to see in wood.

RADICE finds its underlying beauty and simplicity in its structure.

TRONCO's character is formed from solid strips of wood in what appears as very elementary construction, yet its simplicity is the result of iterative experimentation and a high regard for material