MC15 - Quindici
Collezione: MC15 - Quindici by Ronan & Erwan Bouroullec
Categoria: Sedute
Contattaci
The chair comes in two styles: a simple, more upright armchair, and the more luxurious lounge version with an extra legrest. With its plain, smooth surfaces of delicate, bright ash, both versions are stylistic statement pieces.
MEDICI is conceived as a low chair with a comfortably reclined posture. Its generous dimension gives the chair an embracing confidence.
CLERICI, Konstantin Grcic's second collection for Mattiazzi, radiates devout serenity. The main concept and the fascination of CLERICI lie in the grand simplicity of the design.
"If you see it from the side, you could say that the frame is almost typographic, like a letter. The lines offabric cord are also very graphic; yet these lines distort as the body sits down.
The gently carved wooden pieces are held in place by bent metal rods - while wood remains the main actor, the metal parts play a fundamental role in the construction.
TRONCO's character is formed from solid strips of wood in what appears as very elementary construction, yet its simplicity is the result of iterative experimentation and a high regard for material
<<We designed an object in plain wood but not in regular plain wood, the quality of the wood literally makes the object, like the best piece of meat would make the refinement of a dish.>&g
This robust yet simple and refined furniture family was thought to be used in cafès and restaurants, which is why it offers great flexibility - both in use and in the variations proposed.
"The expression of craftsmanship here lies in the careful execution, the choice of wood, the finish, the perfection.
The design for the FACILE came about as a result of our quest to build a bridge between the product ranges in the Mattiazzi collection.
"Design is an unpredictable process. While designing the Zampa stools I never imagined we would add a chair and an armchair to the family.
I observed that the power of the robot, the repetition of the machine and the skills of the craftsmen already have synchronised relationships at Mattiazzi, where each process is as carefully select
