MC21 - Leva

"The expression of craftsmanship here lies in the careful execution, the choice of wood, the finish, the perfection.

The chair comes in two styles: a simple, more upright armchair, and the more luxurious lounge version with an extra legrest.

Primo epitomizes the archetypal chair. Its design comprises of only the most basic elements —four legs, seat and backrest—.

This robust yet simple and refined furniture family was thought to be used in cafès and restaurants, which is why it offers great flexibility - both in use and in the variations proposed.

The design for the FACILE came about as a result of our quest to build a bridge between the product ranges in the Mattiazzi collection.

Studio OE aimed to create a mobile extension of architecture that would seamlessly blend into the living space and that invites to define its use according to individual needs.

The concept and charm is a canvas sling suspended from a frame: the most simple construction and a surprisingly comfortable seating experience.

RADICE finds its underlying beauty and simplicity in its structure.

"Design is an unpredictable process. While designing the Zampa stools I never imagined we would add a chair and an armchair to the family.

CLERICI, Konstantin Grcic's second collection for Mattiazzi, radiates devout serenity. The main concept and the fascination of CLERICI lie in the grand simplicity of the design.

<<As with many words, CHIARO has several definitions: clear, bright, and straightforward.>> Leon Ransmeier

TRONCO's character is formed from solid strips of wood in what appears as very elementary construction, yet its simplicity is the result of iterative experimentation and a high regard for material

The collection Forcina by Leon Ransmeier comprises a chair, an armchair, and a stool with a steel frame, a wooden seat, and a backrest. The collection is rounded off with a table.

The gently carved wooden pieces are held in place by bent metal rods - while wood remains the main actor, the metal parts play a fundamental role in the construction.

<<We designed an object in plain wood but not in regular plain wood, the quality of the wood literally makes the object, like the best piece of meat would make the refinement of a dish.>&g

"If you see it from the side, you could say that the frame is almost typographic, like a letter. The lines offabric cord are also very graphic; yet these lines distort as the body sits down.