Billiani opened up to the world of upholstery with a rich collection that includes side, arm and lounge chairs, barstool, sofa, pouf, bench and table. Unifying elements are the cross and the rounded legs, while the armchair, lounge chair and sofa share a common curved back, in the shape of a croissant. A collection that meets the needs of those places that bring together different functions but are looking for stylistic continuity.
Soft lines and simple geometry describe the contours of the Veretta chair, characterized by the feature ring in curved solid beechwood that surrounds the seat and houses the backrest.
Amongst Vincent van Gogh’s various paintings, there are a number that feature chairs.
The wooden Doll chair, Emilio Nanni’s first commissioned design for Billiani, expresses essentiality with grace and softness.
For the unprecedented combination of wood and leather, Marimba is a novelty in the Billiani collection.
The Edelweiss collection of chairs, stools and lounge chairs is the result of Philippe Bestenheider’s desire to come to terms with wood.
The idea for Grapevine comes from vine branches and the desire to replicate their natural twist on a table base.
The Puccio collection started life based on milking stools, perfectly designless and designer-free seating which, thanks to its functionality, has survived unchanged through the centuries.
Marco Ferreri reinterprets an icon of Scandinavian design, the classic cockpit seat, and creates a chair of great constructive simplicity with a touch of elegance.
The classic tavern chair, Cafè tells the story of a territory in which not only carpenters are the protagonists, but also the vineyards and corn fields.
Spy is an extensive and complete collection of chairs, lounge chairs, armchairs, tables and coffee tables. Its leitmotif is the design of the leg, which tapers and is slightly splayed.
Frisée is a collection that combines the solidity of wood with an ironic and joyful frivolity.
Cristina Celestino designs a lounge collection with soft and harmonious shapes. The rounded volumes are lightened by the worked wood base, Billiani’s stylistic code.