CROISSANT

 Soft lines and simple geometry describe the contours of the Veretta chair, characterized by the feature ring in curved solid beechwood that surrounds the seat and houses the backrest.

Amongst Vincent van Gogh’s various paintings, there are a number that feature chairs.

The wooden Doll chair, Emilio Nanni’s first commissioned design for Billiani, expresses essentiality with grace and softness.

For the unprecedented combination of wood and leather, Marimba is a novelty in the Billiani collection.

The Edelweiss collection of chairs, stools and lounge chairs is the result of Philippe Bestenheider’s desire to come to terms with wood.

The idea for Grapevine comes from vine branches and the desire to replicate their natural twist on a table base.

The Puccio collection started life based on milking stools, perfectly designless and designer-free seating which, thanks to its functionality, has survived unchanged through the centuries. 

Timènt is Billiani's first fabric collection.

Marco Ferreri reinterprets an icon of Scandinavian design, the classic cockpit seat, and creates a chair of great constructive simplicity with a touch of elegance.

The classic tavern chair, Cafè tells the story of a territory in which not only carpenters are the protagonists, but also the vineyards and corn fields.

Spy is an extensive and complete collection of chairs, lounge chairs, armchairs, tables and coffee tables. Its leitmotif is the design of the leg, which tapers and is slightly splayed.

Frisée is a collection that combines the solidity of wood with an ironic and joyful frivolity.

Fratina is inspired by those classic chairs with rush seats.

Cristina Celestino designs a lounge collection with soft and harmonious shapes. The rounded volumes are lightened by the worked wood base, Billiani’s stylistic code.

Faithful to wood itself, the Drum collection stands out for the quality of the processes that characterize the side and lounge chairs and the stools in three heights, as well as tables of different